Metta World Peace is gone and the rest of the stars try to prove they are worthy or reaming apart of the competition. This week the stars had their work cut out for them dancing the Jive and the Quick Step. A difficult dance will show who has the potential to win and who will be voted off. Without any ado, let’s review.
Read more on Dancing with the Stars: Week 2…
Charlie Harper is dead and Walden Schmidt is in.
During the premiere episode it begins with the death of Charlie Harper. All of his conquests show up to his funeral to make sure that he is actually dead and bash him during Alan’s eulogy. It is obvious the shows creator Chuck Lorre, who Sheen publicly insulted was getting all of his anger out during this funeral scene and made it clear, Charlie Sheen is no more.
Read more on TV Review: Two and a Half Men (**1/2)…
Please, Mr. Nolan, don't screw up Catwoman…
I’m pretty sure that, by the time Christopher Nolan’s The Dark Knight Rises actually hits theaters on July 20th, the internet will have leaked so many “inside scoops” about the film that every spoiler-hunting fanboy will know the whole damn plot already. I try my best to avoid spoilers as much as possible before seeing any film, but I’m not perfect. So when ComingSoon.net posted pictures of Anne Hathaway in full costume as Catwoman, I couldn’t help but take a quick peek…and for the first time since this film was announced, I became truly worried about how it’ll turn out.
Contrary to the grumblings of others on the internet, I think Hathaway herself will do a fine job as Selina Kyle. As Anna pointed out in yesterday’s Women in Cinema, she is an immensely talented actress who has effectively explored her dark side before. She is also gorgeous and sexy, so I never had any doubts as to her ability to rock a skintight outfit. Not that she even needs to have overt sex appeal at all, since Nolan’s Batman films have always attempted to present a costumed hero scenario in the most realistic light possible, including favoring pragmatism over aesthetic appeal. The series’ claim to realism was never its main or even secondary strength, but it’s a cool touch that has in past flown in the face of fanboy expectation (The Joker’s painted face is a good example of this). But then I glanced at these…absurd things: Read more on High Heels and Tumbler Wheels…

Few names in the film community unite actors, filmmakers, bloggers, Oscar prognosticators, publicists, and the general media in respect like John Foote does. Yes, a young man who spent his early days in Canada wanting nothing more than to play in the NHL now is one of the preeminent voices in film criticism and the Oscar race, not to mention someone quoted on DVD/Blu-Ray box art across the globe (don’t believe me? Go pick up a copy of 2010′s remake of True Grit). He’s been in print, on television, in the classroom, and now on the internet. Those who know him on a professional level know of his passion and knowledge, but those like myself who know him on a personal level can attest to his kindness, heart, and ability to make you feel like family within mere moments of meeting him. For my money, he’s one of the best voices in the industry and a great colleague to boot. Canada should be proud to cal him one of their native sons and I’m proud to call him my frend.
By conducting this interview with John, I hope to bring out who he is as a person, as well as a writer and film enthusiast. It’s a somewhat free form piece, with me spitballing out what I think you might want to know about him and John not holding back and opening himself up to you all. Don’t expect any huge revelations (he’s not who shot J.R. or anything), but expect an enjoyable look into who exactly John Foote really is. You’ll find out about his favorite films, his family, and everything in between. Enjoy!
Read more on Digging Into: John Foote…
It’s a bit of a light week on DVD for me here at The Awards Circuit, especially considering my distaste for the major release of the week. I’ll get to that piece of trash in a minute, though I’d be happier to forget it ever existed, but first let me point out the lights at the end of the tunnel. Some major upcoming releases on DVD include The Tree of Life in 2 weeks and Red State in 3, so keep your eyes peeled for that, not that I’ll let you forget…especially about the latter. As for this week, I have 4 films to make mention of. One is good, two are fair, and one is terrible. Not exactly a rouge’s gallery, but we make do. For my PICK OF THE WEEK, I went with an acclaimed piece of work that I had all but forgotten about. It’s not as good in my eyes as it is to most, but it’s still a quality bit of cinema. It’s:
Carlos
Yes, this is technically a TV miniseries, but it’s been released theatrically as well, so it’s as much an epic film as anything else. Certain critics went absolutely nuts over this biopic of Carlos the Jackal, specifically the lead performance of Edgar Ramirez. I really liked his work in it, but found the rest to be a bit of a slog to sit through. It’s compelling at times, but not quite as much as many had made it out to be. It’s still worth checking out, especially as it’s a Criterion release, and they always do a top notch job. If you were curious what all the fuss was about last year, give it a shot…
Read more on Joey’s DVD Picks of the Week (9/27/2011)…
Discovering the man behind ShouldISeeIt…
To the average observer, Michael Ward is the definition of the American everyman. An unassuming, workaday family man, it wouldn’t be immediately obvious that there lies a deep-seated passion for the motion picture. Indeed, his entire philosophy of reviewing films takes on a removal of self rarely seen of most critics. “My mind intuitively drifts to others when forming an opinion on a film; what would my friends think of this? My wife? Would they see it differently than I do?”
Far from a simple personality quirk, this distinctive trait had been cultivated from the time he was seven years-old. “It all started when my parents gave me not only a TV set, but HBO along with it.” That was the first domino, “From that point, it was always, ‘on.’ I was not really a ‘popular kid.’ I preferred my own company and was a little reclusive.” So what was it about cinema that appealed to him at that age? “I don’t remember any specific film that ignited my interest. I do recall lots of bits and pieces of classics, and being very drawn to them. To me, their visuals and sensational presentation were more captivating than other forms of entertainment.” Read more on Digging Into: Michael Ward…
I’m of two minds about the current box office numbers for Ryan Gosling’s collaboration with Nicolas Winding Refn ‘Drive’. On the one hand, it really is an art film and the money it’s making is good for that, but on the other, it did really have the potential to be a crossover success. Some have labeled it a failure, but I haven’t, as I still see it to be a major Oscar player. Always eager to throw her two cents in, Nikki Finke over at Deadline has given her take. I found her article to actually be pretty interesting, so I thought I’d share some of it with you. Here is what she calls her “post-mortem” on the film:
Read more on Why Did “Drive” Stall at the Box Office?…
Anne Hathaway is this generations “America’s Sweetheart”. In every film, including Rachel Getting Married, she manages to shine and win the audience’s heart. They admire her because they love to watch her. She has an amazing sense of comedy, an outstanding dramatic side, a wonderful singing voice and obviously is incredibly attractive. A full package you might say.
Anne Hathaway was born November 12th, 1982 in Brooklyn, New York. At a young age, Hathaway was inspired to follow in her mother’s footsteps and become an actress. She then went to star in many school productions and was a part of The Barrow Group, a New York theater company. All of this was preparation for her first job in the industry where she appeared in the TV series “Get Real.”
Read more on Women In Cinema: Anne Hathaway…
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