Thanks to Sasha Stone @ Awards Daily

FEATURE FILMS CATEGORY

BEST SOUND EDITING: SOUND EFFECTS AND FOLEY IN A FEATURE FILM

  • Drive
  • Fast Five
  • The Girl with the Dragon Tattoo
  • Mission Impossible: Ghost Protocol
  • Rise of the Planet of the Apes
  • Super 8
  • Transformers: Dark of the Moon
  • War Horse

BEST SOUND EDITING: MUSIC IN A FEATURE FILM

  • Drive
  • The Girl with the Dragon Tattoo
  • Hop
  • Hugo
  • Priest
  • Super 8
  • Transformers: Dark of the Moon
  • The Tree of Life

BEST SOUND EDITING: DIALOGUE AND ADR IN A FEATURE FILM

  • Abduction
  • The Help
  • Moneyball
  • Quarantine II: Terminal
  • Rise of the Planet of the Apes
  • Super 8
  • War Horse
  • The Way

BEST SOUND EDITING: MUSIC IN A MUSICAL FEATURE FILM

  • Footloose
  • The Muppets
  • Perfect Age of Rock ‘n’ Roll
  • Pina

BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE, AND ADR IN AN ANIMATION FEATURE FILM

  • The Adventures of Tintin
  • Cars 2
  • Kung Fu Panda 2
  • Puss in Boots
  • Rango
  • Rio
  • The Smurfs

BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE, ADR AND MUSIC IN A FEATURE DOCUMENTARY

  • Being Elmo: A Puppeteer’s Journey
  • Cave of the Forgotten Dreams
  • George Harrison: Living in the Material World
  • Lemmy
  • Pearl Jam Twenty

BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE AND ADR IN A FEATURE FOREIGN LANGUAGE FILM

  • 1920. The World’s Most Important Battle
  • Circumstance
  • Tropa de Elite 2 (Elite Squad 2: The Enemy Within)
  • The Flowers of War
  • In the Land of Blood and Honey
  • Sarah’s Key
  • The Skin I Live In

TELEVISION CATEGORY

BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE, AND ADR ANIMATION IN TELEVISION

  • Fanboy and Chum Chum “A Very Brrr-y Icemas #217″
  • Futurama “Law & Oracle”
  • Ice Age: A Mammoth Christmas
  • Kick Buttowski: Suburban Daredevil “Truth or Daredevil”
  • Kung Fu Panda: The Legends of Awesomeness “Sight for Sore Eyes – #108″
  • Lego Star Wars: The Padawan Menace
  • The Penguins of Madagascar “The Return of the Revenge of Dr. Blowhole”
  • Phineas and Ferb “Across the 2nd Dimension”

BEST SOUND EDITING: LONG FORM DOCUMENTARY

  • Gettysburg
  • Harlistas: An American Journey
  • Koran By Heart

BEST SOUND EDITING: LONG FORM MUSIC IN TELEVISION

  • The 12 Dates of Christmas
  • Alphas “Pilot”
  • Avalon High
  • Magic Beyond Words – The JK Rowling Story
  • Terra Nova “Occupation/Resistance – #12 & #13″

BEST SOUND EDITING: LONG FORM DIALOGUE AND ADR IN TELEVISION

  • Big Love “Where Men and Mountains Meet”
  • Cinema Verite
  • Homeland “Marine One”
  • Terra Nova “Occupation/Resistance – #12 & #13″
  • The Walking Dead “What Lies Ahead”

BEST SOUND EDITING: LONG FORM SOUND EFFECTS AND FOLEY IN TELEVISION

  • Cinema Verite
  • Homeland “Marine One”
  • Red Faction: Origins
  • Terra Nova “Occupation/Resistance – #12 & #13″
  • The Walking Dead “What Lies Ahead”

BEST SOUND EDITING: SHORT FORM DOCUMENTARY

  • Above The Ashes “Above the Ashes”
  • Man Made “Bugatti Super Car”
  • Tim Tebow: Everything In Between

BEST SOUND EDITING: SHORT FORM MUSIC IN TELEVISION

  • Camelot “110 – Reckoning”
  • CSI: Miami “Crowned”
  • Damages “Failure is Lonely”
  • Fringe “The Day We Died”
  • Justified “Brother’s Keeper”
  • Raising Hope “Prodigy”
  • Revenge “Pilot”

BEST SOUND EDITING: SHORT FORM MUSICAL IN TELEVISION

  • Glee “The First Time”
  • Grey’s Anatomy “The Song Beneath the Song”
  • The Playboy Club “Pilot”

BEST SOUND EDITING: SHORT FORM DIALOGUE AND ADR IN TELEVISION

  • The Big C “A Little Death”
  • Game of Thrones “Cripples, Bastards and Broken Things”
  • Hell on Wheels “Bread and Circuses – #105″
  • Leverage “The Van Gogh Job”
  • Person of Interest “#107 – Witness”
  • Smallville “Dominion”
  • Sons of Anarchy “To Be, Part 2″
  • The Walking Dead “Save the Last One”

BEST SOUND EDITING: SHORT FORM SOUND EFFECTS AND FOLEY IN TELEVISION

TO BE POSTED ON THE MPSE WEBSITE

OTHERS CATEGORY

BEST SOUND EDITING: COMPUTER EPISODIC ENTERTAINMENT

  • Aim High
  • Dagedar
  • Polly Pocket
  • Warehouse 13 “Of Monsters & Men”
  • When You Find Me

BEST SOUND EDITING: COMPUTER INTERACTIVE ENTERTAINMENT

  • Call of Duty: Modern Warfare 3
  • Diablo III Cinematics – Black SoulStone “Doom” and Intro “End of Days”
  • Gears of War 3
  • Need for Speed “The Run”
  • Skylanders Spyro’s Adventure Cinematics

BEST SOUND EDITING: DIRECT TO VIDEO – ANIMATION

  • Dragon: Gift of the Night Fury
  • Kung Fu Panda 2: Secrets of the Masters
  • Megamind: The Button of Doom
  • Quest for Zhu
  • The Smurfs: A Christmas Carol

BEST SOUND EDITING: DIRECT TO VIDEO – LIVE ACTION

  • Beethoven’s Christmas Adventure
  • Love
  • Street Kings 2: Motor City

BEST SOUND EDITING: SPECIAL VENUE

  • Rocky Mountain Express
  • Tornado Alley
  • Wildest Weather in the Solar System

VERNA FIELDS AWARD IN SOUND EDITING FOR STUDENT FILMMAKERS

  • Alma
  • Inferno
  • The Maiden and the Princess
  • The Pride of Wade Ellison
  • The Secret Numbers

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Clayton Davis
Clayton Davis--prolific writer and autism awareness advocate of Puerto Rican and Black descent, known for his relentless passion, dedication, and unique aptitude. Over the course of a decade, he has been criticizing both film and television extensively. To date, he has been either featured or quoted in an array of prominent outlets, including but not limited to The New York Times, CNN.com, Variety, Deadline, Los Angeles Times, FOX 5, Bloomberg Television, AOL, Huffington Post, Bloomberg Radio, The Wrap, Slash Film, and the Hollywood Reporter. Growing up in the Bronx, Clayton’s avid interest in the movie world began the moment he first watched "Dead Poets Society” at just five years of age. While he struggled in English class all throughout grade school, he dived head first into writing, ultimately taking those insufficiencies and transforming them into ardent writings pertaining to all things film, television, and most importantly, the Academy Awards. In addition to crafting a collection of short stories that give a voice to films that haven’t made it to the silver screen, Clayton currently serves as the Founding Editor of AwardsCircuit.com. He also holds active voting membership at various esteemed organizations, such as the Broadcast Film Critics Association, Broadcast Television Journalists Association, African-American Film Critics Association, New York Film Critics Online, Black Reel Awards, and International Press Academy. Furthermore, Clayton obtained his B.A. degree in American Studies and Communications.