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Author: Robert Hamer
February 22, 2012

The brightest light of Oscar's Best Pictures…

Four days left.  From time to time during my first year as The Awards Circuit’s staff writer, I have been regarded as the snobby, deliberate contrarian who panned popular movies just to get a reaction.  Those kinds of accusations are to be expected in this profession these days, but it also belied the number films I genuinely enjoyed this year, including surprisingly quite a few that improved in my eyes when giving them a second chance. Even flawed films like Shame, A Dangerous Method and Sleeping Beauty lingered far longer in my mind than most films one would label as a “disappointment.”  In fact, not since 2007 have I been so fond of so many movies, and while I am not a fan of the majority of Oscar’s Best Picture nominees, the unlikely inclusion of my #1 of the year is enough for me to cheer their judgment this time.  Indeed, I could not have hoped for a more exciting year to be drafted here, as it is the unpredictability of this year’s Oscar race that has yielded a surfeit of pleasant surprises and shifting bets.  There were thankfully few early frontrunners that will “coast” their way to a win, with the current leaders only taking shape in the past few days.  I of course have published my own ideas as to what qualified as the most award-worthy film achievements of 2011, because why should the Academy have all the fun?  Here are my Oscar 2012 Will Win/Should Win/Should Have Been Nominated selections:

Read more on Oscar 2012 Will Win/Should Win Selections (Hamer)…

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February 22, 2012

Last night the Costume Designers Guild spoke up and gave out their awards. Did they do anything to clear up the Oscar race for Best Costume Design? Well, see below which films the guild chose to honor:

Excellence in Period Film: W.E.

Excellence in Fantasy Film: Harry Potter and the Deathly Hallows: Part 2

Excellence in Contemporary Film: The Girl with the Dragon Tattoo

Read more on The 14th annual Costume Designers Guild Awards!…

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February 22, 2012

As you’re reading this, the Oscar voters have already made their final selections for each category of the Academy Awards, and there’s nothing left to do but wait for the results at the awards ceremony on Sunday. It got me to thinking, what kind of case has each Best Picture contender made for their shot at the award? Below are arguments that could be made, regardless of if I agree with them or not (I don’t completely, and obviously I personally am more or less fond of certain ones), as well as avoiding the precursor results. Later on, there will be a spot as usual for you to let us know the case you’d make for your personal picks in these groups (or all of them if you so desire), but for now, this is how I see it…as objectively as possible. In short, this how I think each film would pitch itself  to voters at the last minute if they were standing on even ground going into the ceremony. Yes, I’m a bit bored in Florida (for those of you who know I’m temporarily out of New York City until sometime next month), but any writing is better than no writing. Anyway, here goes nothing…

Read more on Making the final case for each Best Picture nominee……

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February 22, 2012

Yes, I know this comes as a real shock to all of you, but a lot of the Academy is made up of older white men. A recent L.A. Times study of Oscar voters and their demographics came up with this result, obviously signaling that the people who choose the best movies of the year don’t mesh demographically with the people who go out and watch the flicks. There’s nothing here you don’t already know, but I’ll just let the article from the Los Angeles Times speak for itself:

When the names of winners are revealed on Oscar night, months of suspense give way to tears, smiles and speeches. Yet when the curtain falls, one question remains: Who cast the votes?

About 37 million people tuned in to the Academy Awards last year, and a great deal rides on the show’s outcome. Winning a golden statuette can vault an actor to stardom, add millions to a movie’s box office and boost a studio’s prestige. Yet the roster of all 5,765 voting members of the Academy of Motion Picture Arts and Sciences is a closely guarded secret.

Even inside the movie industry, intense speculation surrounds the academy’s composition and how that influences who gets nominated for and wins Oscars. The organization does not publish a membership list.

“I have to tell you,” said academy member Viola Davis, nominated for lead actress this year for “The Help.” “I don’t even know who is a member of the academy.”

A Los Angeles Times study found that academy voters are markedly less diverse than the moviegoing public, and even more monolithic than many in the film industry may suspect. Oscar voters are nearly 94% Caucasian and 77% male, The Times found. Blacks are about 2% of the academy, and Latinos are less than 2%.

Oscar voters have a median age of 62, the study showed. People younger than 50 constitute just 14% of the membership.

Read more on Shocker: Oscar voters are overwhelmingly white males!…

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