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  • Author: Anna Young
    June 13, 2012

    I love film, I really do. I love watching film, I love learning the history behind the film, I love hearing how a film broke ground during the time it came out, and I love learning the trivia that goes on during the making of a film. Film is my first love if you haven’t gathered and I wouldn’t change that day in 2001 when I woke up and decided I would begin my obsession.

    When I first read my assignment I thought I’d be telling you all about my favorite films of all time. I had my list ready and set to go, and then I was punched in the face by Mark Johnson’s list and article. My heart started racing because my task just became tougher; at 21 years old I was forced to sit down and analyze all the films that have been released throughout the years, years I wasn’t even alive for.

    Struggling with putting my list together I called the two people in my life who have seen more films than I and have constantly educated me on the background of film. I called my parents. It’s what any kid in my position would do. A single question to both my parents turned into a history lesson of film and a great reminder of the films I may have forgotten to include on the list.

    So I got to thinking about my list. And out came twenty films that I consider so great, so groundbreaking. With so many films out there it’s so tough to sit down and pick just ten. It’s impossible to even pick the greatest film of all time because we all have a different understanding of what we consider to be great. I consider a great film to be a story that moves you and in some way changes your life. Whether it’s to point your life in a different direction, to teach a lesson or to even give you a greater appreciation of what film is really all about. A great film is what starts the revolution for more great films, if that makes any sense.

    So after doing my research and spending hours watching and re-watching several films, here is my list of the ten best films of all time.

    Enjoy!

    10. A Place in the Sun (Directed by George Stevens, 1951)

    This story of doomed love centers on handsome Montgomery Clift’s George Eastman, a poor man looking to work in his rich uncles business. While working he is warned not to date any of the female employees, but can’t seem to resist Alice Tripp, (Shelley Winters) a whiney, simple and plain woman. As he begins to see her, Eastman is promoted and is then invited to his Uncles manor where he meets the beautiful Angela Vickers (Elizabeth Taylor). George falls in love with Angela at first sight and things become complicated when Angela and George fall into a deep and lustful love. When George learns that Alice is pregnant it makes it even harder for him to break off their relationship to enjoy the finer things in life. A Labor Day boating trip with Alice seals George’s fate and at that moment his life is changed.

    Nominated for nine Academy Awards, winning six, this film to me is one of the best doomed love stories of all time. I appreciate a film in which two people end up together, but a film where everything stops two people from being together just keeps my attention even more so. The tragic ending is more than deserved for such a slimy, shallow character as George Eastman. He was satisfied with his lower class life until he experienced being around a wealthy society.

    A Place in the Sun is well acted, well directed by George Stevens and its cinematography is pretty great. Montgomery Clift and Elizabeth Taylor carry the film with such brilliance and desire, but it’s Shelly Winters who is stunning as the pathetic Alice Tripp. Her want and need to hold George in her possession is sad, yet you understand her insecurities especially when she realizes her competition is played by Elizabeth Taylor. I watched this film for the first time in film class and absolutely fell in love with it, leaving it at number ten of the greatest films ever made.

    9. Jaws (Directed by Steven Spielberg, 1975)

    One of the great thrillers in cinematic history teaches you just one thing; Stay out of the water. That’s how I felt after I saw this movie for the first time at a young age. To this day you will never see me go in any form of water. Maybe the pool but as long as it’s mine, that’s ok, I know for sure there aren’t any sharks in there. But the one thing that made Jaws so scary wasn’t the shark, but the amazing score by John Williams. Two tones got audiences heart racing as the anticipation of a shark attack was close by.

    Winning three Academy Awards, Jaws tells the story of a great white shark that begins to stir up trouble in the small community of Amity. In an effort to put the shark attacks to rest, police chief Brody (Roy Scheider), marine scientist Hooper (Richard Dreyfuss) and an unpleasant fisherman (Robert Shaw) head out onto the water in a boat that we learn isn’t big enough.

    Every time I would sit down to watch Jaws with my family (because whenever they saw it on television we would watch it) my parents would tell me the stories of when they first saw Jaws in theaters and how terrified they were. Just like me, to this day, my mother still doesn’t go in the water. They always explained to me the impact Jaws had on audiences and how terrified they were. People in the audience would cringe in there seat, they would scream and cover their eyes. I don’t think I’ve ever been to a theater where I’ve seen such a reaction. This is a film that was scary when it came out and has yet to lose its terrifying grip.

    With so many complications involving the shark, Jaws is one of Steven Spielberg’s finest pieces of work and the movie that catapulted his career. He makes the movie horrifying without being absurd and gets the best performances from his actors. This thrilling piece of work lands at number nine on my list of the best films of all time.

    8. Yankee Doodle Dandy (Directed by Michael Curtiz, 1942)

    My fellow writers have had some of the greatest musicals appear on their lists, including The Sound of Music and Singin’ in the Rain. While I find both movies brilliant, I have found Yankee Doodle Dandy to be the top musical in my world. I almost chose Singin’ in the Rain to represent my great musical movie choice but what changed my mind is my love for James Cagney. James Cagney was one of the greatest gangster actors to ever live, but it was his performance as George M. Cohan that won him is only Academy Award for Best Actor.

    If you know me then you know that I’m a sucker for a great musical. During my film classes in school I had studied James Cagney’s work as a gangster actor and quite literally fell in love with him. I told my mom all about the movies we were watching with him and one night Yankee Doodle Dandy was on television and she advised that I watch it to understand a different side to Cagney. And boy did I fall even more in love with this multi-talented actor.

    Yankee Doodle Dandy tells the story of George M. Cohan (Cagney) and the way he changed the United States with musicals he would produce, direct, write and star in, and all of the famous songs he composed throughout the years. Cohan brought patriotism alive during a time of war with his inspirational songs that ultimately led him to receiving a medal from the president for his contributions to the United States.

    Yankee Doodle Dandy is one of the most positive and patriotic movies ever made. You can’t help but feel pride and joy when you hear Cagney deliver some of Cohan’s most memorable hits. For those who will end up seeing this movie one day, Cagney is absolutely brilliant as Cohan, his singing and dancing are mesmerizing, so to the point that you’re almost taken aback at the fact that this well-known tough guy knows how to move his feet so well. One of Cagney’s best scenes in the film is the finale. Cohan receives his medal from the president and begins to walk down a staircase that turns into a tap. I always watch that scene over and over again in amazement that Cagney was able to tap down the stairs, never looking once. He then walks outside to see a parade of soldiers marching too “Over There”. He joins the march with pride and a solider looks over to him and questions that he doesn’t know that song and is the reason he isn’t singing. With a tear in his eye he begins to belt out the lyrics and the movie ends.

    Yankee Doodle Dandy is a patriotic masterpiece that is number eight on my list of the best films of all time.

    7. Double Indemnity (Directed by Billy Wilder, 1944)

    One of the best film noirs of all time, Double Indemnity tells the story of an insurance salesman, Walter Neff (Fred MacMurray) who gets caught up in an affair with a devious woman Phyllis Dietrichson, (Barbara Stanwyck) that eventually leads to an insurance fraud scheme involving the murder of Phyllis’ husband. In the meantime, Walter deceives his friend and boss Barton Keyes, (Edward G. Robinson) to help this woman he barely knows.

    What makes this film so amazing is the performance by Barbara Stanwyck. Her performance as Phyllis is so cold and ruthless. She’ll use her seductiveness and sexual prowess to manipulate people into doing exactly what she wants so she can gain off it. She will lure a man into anything she wants without any regard to what it will do to their life. Of course, Fred MacMurray’s narration throughout the film, which is really a confession to his pal Keyes, makes this film even more enticing. He delivers his lines with such pain and guilt that you almost feel bad that the guy was stupid enough to fall for Phyllis’ scheme. George M. Robinson spices the film up even more when he begins to investigate the death of Phyllis’ husband. As Keyes gets closer to finding out the truth, Walter’s guilt completely takes over which causes him to fall apart.

    This is a great story of manipulation, greed and tragedy, a classic film noir. With a great story, this perfect cast carried the film and made it into a timeless classic.

    6. The Wizard of Oz (Directed by Victor Fleming, 1939)

    The Wizard of Oz was always that movie as a little kid I remember watching constantly. I always remember being simply amazed that after Dorothy hit the ground in her house she opened the door to such vibrant color. It was like a wonderland with sort of scary looking dwarfs and a good witch. I’m sure I don’t need to explain the plot of The Wizard of Oz or even begin to explain why the film is a masterpiece and why at the time it was released it had such a big impact on film. Aside from the film being visually spectacular, the story of Oz showed us that all these things we desire, whether it be a heart, a brain or courage, it’s inside of us.

    The Wizard of Oz is one of those films that is seen by almost everybody. This film has stuck with audiences for so long because it brings out the  imagination of our inner child. I think that’s why as a kid I was always so fascinated with this story. Nobody will ever forget the amazing performance given by a young Judy Garland. When we hear the name Dorothy we automatically cut right to Oz. When we hear someone utter the word lion we right away go, “lions and tigers and bears, oh my.” When we think of flying monkey’s we think of Oz. When we think of the evilest character ever portrayed in film we think of the wicked witch of the west. And when we see some hot red shoes in the store we think of those sparkly shoes that Dorothy had to tap together just to get home.

    The Wizard of Oz is a story about growing up and learning about the love, friendships and evil in life in such a beautiful, imaginative yet scary world. As time goes one, we will always look back to The Wizard of Oz as our place to take a break from the lives we live.

    5. Psycho (Directed by Alfred Hitchcock, 1960)

    Psycho was the first film of its kind to display the horrifying nature of a serial killer. Marion Crane (Janet Leigh) is so desperate to marry her lover Sam (John Gavin) that she steals $40,000 that was entrusted to her by her boss. Marion packs up and leaves town to meet Sam, but after a long and tiring drive she pulls off the main highway into The Bates Motel. When Marion seeks a room in the motel she is introduced to Norman (Anthony Perkins), a quiet man who runs the motel but seems to be controlled by his mother. When Marion appears to be missing, Sam and Marion’s sister Lila (Vera Miles) begin to investigate the Bates Motel to find out what happened.

    Psycho is the greatest horror film ever made. Coming up with this list I knew I wanted a Hitchcock film to be represented, but of course with so many to choose I went with the one that scared me the most. The first time I watched Psycho, which wasn’t too long ago, I was frightened. I was never scared like this when I watched any other Hitchcock masterpiece. Now a days you don’t get horror films like this. You don’t get films that are purely based on horror; we have films that are surrounded by grotesque sequences in order to get a reaction.

    Before Psycho, the horror industry was surrounded with zombies, monsters and vampires killing simply because that’s what they do. With Psycho you had a psychologically ill man who killed simply because he wanted to. Alfred Hitchcock proved with Psycho that he truly is the master of suspense.

    4. Star Wars Episode IV: A New Hope (Directed by George Lucas, 1977)

    I feel as though this film really doesn’t need any description. Star Wars is the movie that catapulted the Science Fiction genre to a whole new world. My personal favorite in the Star Wars series happens to be The Empire Strikes Back, and while I wanted to include it on this list, it was Star Wars: A New Hope that made a huge impact on audiences and started it all.

    I remember the first time I ever sat down to watch the Star Wars series. It was truly an experience and continues to be every chance I sit down and watch those amazing films. I can’t imagine being one of those audience members, never having seen any special effects like the epic light speed scene, and being blown away. The closest I will ever get to that experience is hearing my parents talk about it and watching the many Star Wars related episodes on That 70s Show.

    While Lucas released just bad movies to represent the first three chapters of the Star Wars franchise, its episodes four, five and six that will go down in history as being the greatest films of all time. A New Hope showed us a world we had never seen before and Lucas so brilliantly made movie magic.

    3. The Godfather (Directed by Francis Ford Coppola, 1972)

    “Never go against the family.” I have heard my father say that quote my whole life. It’s amazing how men look towards The Godfather as being the sort of bible for how a family should be and the respect that is deserved when you do so much for your family. The Godfather really is about, family, loyalty, greed, and relationships. The Godfather is one of the best acted films of all time, including memorable performances from Marlon Brando, Al Pacino and James Caan. From the direction, to the storyline, to the performances and the score, The Godfather will simply go down in history as one of the greatest. This film speaks for itself. Now stroke your face and talk amongst yourselves in Godfather quotes to really feel the greatness.

    2. The Best Years of Our Lives (Directed by William Wyler, 1946)

    This Academy Award winner for Best Picture tells the story of three men returning home from World War II only to realize that the lives they left aren’t the same anymore. Al Stephenson (Fredrich March), Fred Derry (Dana Andrews) and Homer Parrish (Harold Russell) are returning to their hometown with excitement and fear of what is to come in their lives.

    After being gone for years fighting in the war, Al returns home to his wife Milly (Myrna Loy) of twenty years and his two children. Al returns to the bank he used to work at and is in charge of giving out small loans to those who need it. While re-adjusting, he seeks alcohol to help make things easier.

    Fred Derry returns home to his wife Marie, (Virginia Mayo) who he only knew for twenty days before he went to war. While Fred was gone, Marie enjoyed the increased pay the military gave her, but when he returns home and is stuck working an ordinary job, she begins to see that the good life is no longer good. With Fred’s re-adjustment to society he begins to fall into a depression when he realizes that nobody will hire him for a job when his only experience is military work. His marriage begins to fall apart when Marie is too selfish to care for him and when he begins to fall for Al’s caring and passionate daughter.

    Homer Parish had both hands blown up in the war and is fearful to come home and have his family and his girl succumb to the harsh reality of his new life with hooks for hands. He is afraid his girl Wilma will not accept him or want to spend her life with him because of his hooks, and begins to push her away even when she makes it clear that the hooks don’t matter.

    While all three men adjust to their lives, they find comfort in each other whether it is talking or drinking, it makes the adjustment so much easier for them.

    What makes this film great is that it’s true. The issues that these three men face and have to constantly deal with throughout the film are situations that real life people have to face when returning home from war. I think this film is truly symbolic to a time we’re in now. So many people in the entertainment industry try to depict war in every way possible, but what this movie did was depict what happens when it’s all said and done and it’s time to come home. Movies that are made now try to show a happy ending, that everything is perfect when someone returns home from war and it’s not like that at all. There are so many factors and problems that go into what should be a thrilling experience, but this film depicts all of the complications with such honesty. The Best Years of Our Lives isn’t afraid to tell the truth or show the harsh reality of what happens during and after war.

    I commend this film for what it does, and I consider it one of the best films of all time simply because it’s honest. And those who have never seen this movie should change that. It’s a powerful, brave and beautiful film.

    1. City Lights (Directed by Charlie Chaplin, 1931)

    I believe that if we’re really going to talk about the best films of all time that we mention one of the best filmmakers of all time, Charles Chaplin. This amazing man would write, direct, star, produce and score his films. His films were his. For me Charlie Chaplin changed the way I look at cinema, he showed me what true physical comedy really is, he showed me that you don’t need crude jokes to laugh hysterically and he proved that with no words you can react in such a profound way it’s beautiful.

    To neglect the silent era on a best list is foolish to me. Why neglect the start of it all. When I was studying film I had watched plenty of Buster Keaton’s films, but never had I seen a Chaplin film. When I was shown my first Chaplin film, City Lights, I fell in love. I fell so much in love that I went home and tried to find every Chaplin film, and I watched them. I laughed during Modern Times, I cried during The Kid, I embraced The Gold Rush and I was moved by The Great Dictator. But in the end I loved them all. So choosing a Chaplin film to represent the top spot was tough for me. I kept going back and forth between City Lights and The Kid but it was City Lights that I decided to honor because it is one of the greatest love stories of all time, on top of that, the situations that The Tramp gets himself into are ridiculously amusing and wacky.

    Charlie Chaplin had such an amazing sense of comedy and heart. While we have seen the tramp in countless other films, City Lights is the film where we see him at his most romantic and funniest state. One of the best scenes in the film is Chaplin’s famous boxing scene where his choreography is top notch. That scene has my dying laughing every time I watch it. His ridiculous scenes with his drunken wealthy “friend” are the best in any movie he’s ever done. Chaplin takes this movie a bit more seriously than his previous and the effort he puts in to make a genuine comedy with romance is wonderful.

    City Lights is a simple story about how a Tramp falls in love with a beautiful blind flower girl. When her family falls into some financial trouble, the tramp’s unconventional friendship with a wealthy man allows him to help her in her time of need.  The story is truly about two loners who find each other and want to make each other happy. If you watch this film and appreciate it for all it has to give, you’ll find it is one of the most charming movies ever made. And that’s why I’ve decided to honor Chaplin in making City Lights my number one film of all time.

    I hope you’ve all enjoyed my list and hopefully we’ll meet again soon when we’re assigned to make another top ten list.

    About Anna Young


    I’ve grown up always being able to share my love of film with others. What makes it particularly important to me is that my passion started with my parents and my best friend Caitlin. Whether it has been spending the whole day at the theater with my parents, or sitting on the floor of a movie store for hours with Caitlin, this love of mine has always been a huge part of who I am. This love affair has been going strong for over a decade. My name is Anna and I’m in love with film. Follow me on Twitter: https://twitter.com/AYAwardsCircuit

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    60 Comments

    1. I love that City Lights (1931) tops your list — it was so close to making mine — that final moment between Chaplin and the now seeing flower girl breaks my heart every time I see it — good list, good films — does The Best Years of Our Lives (1946) hit close to home in your family at all? My grandfather fought in the Second World War and never could watch the film — shocked at how well it holds up over the years.

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      • I really do love and adore Chaplin so it was only fitting that he be number one. Ontop of that I couldn’t come to a decision about a film that should be number one so Chaplin just felt right. I had to watch The Best Years of Our LIves in film class while Kevin was away but luckily the events that happened in that movie never occured in my family.

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    2. This might be my favorite list so far. Excellent job! So many fantastic choices. And you are right, there are just SO many to choose from. You picked a lot of my personal “favorites” as well as “bests” on your list. I really enjoyed reading it.

      Sorry about my punch to the face, btw. I heard a bag of frozen peas keeps the swelling down. :)

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      • I love being someone’s favorite!! :-) But it was so hard just coming to a decision about the 10, but you already know the feeling seeing as you went through this last week.

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    3. Amazing list, Anna! By the way, how awesome is it that we have four different Hitchcock films making our lists thus far in the series? The master of horror and suspense has really made an impact on film and the AC staff. I have to say, one of the biggest regrets in my life is reading the ‘Double Indemnity’ book before watching the film adaptation. I would have enjoyed the movie version more perhaps, but I think I need to revisit it. Anna, what I really liked about this piece is how you perfectly balanced objectivity and your own subjective feelings towards the films selected. That’s not an easy task, and you did it with aplomb. Bravo!

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      • Well Hitchock was a master when it came to his craft so it’s hard to leave him off any sort of best list. You should most def revisit Double Indemnity. It’s such a dark film that just stays with you. And of course, Thank you :-)

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    4. Well done Anna.

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    5. None of our lists have failed to impress and this is no exception. Of course, I am elated at our mutual agreement that CITY LIGHTS is one of the 10 greatest films of all time and commend you for having it as your #1. Excellently written and well done Anna…

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      • Thank you! I’m happy that we’re in agreement as well on City Lights. When I saw you use it on your list I right away started thinking about placing a different Chaplin film on my best list because he’s is the best, but I couldn’t resist the power of that amazing film. It just gets me everytime.

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    6. Damn good list. I love the Psycho mention. And the end of City Lights might be one of the finest moments in film history.

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      • Thank you. Psycho is my favorite Hitchcock film and I appreciate the horror in it so much more having grown up in an era where horror is based around gore. And we are in total agreement on City Lights. Just a wonderful film filled with so much heart.

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    7. So…

      …outside the U.S.A. no memorable movie was ever produced?

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      • There are plenty of memorable movies produced outside the U.S.A but none that I consider great enough to be in a top ten list. But like John said below, matter of opinion.

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        • Maybe you just haven’t seen them.
          Or understood them.

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          • Or maybe they just don’t make her list.

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            • Or maybe her idea of cinema goes from California to New Hampshire and from Alaska to Texas.

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              • Or maybe they just didn’t cut it on my list. I dont understand why you need to be so rude and offensive. There is no need for it. I’m beginning to wonder if you’ve even seen the movies I’ve listed cause this is getting a little ridiculous.

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    8. Andrej…matter of opinion man, matter of opinion.

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    9. The movies considered in your top tens are 59.
      6 of them were not produced in the USA or in the UK.
      USA/U.K. 90% – Rest of the world 10%.

      That’s a bit patchy and unbalanced, isn’t it?

      It’s as if a russian committee, compiling an international literary top ten, would sistematically ignore every other world literature except for a couple of predictable exceptions.

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      • Um, what? I’m not sure if there is a coherent thought in there anywhere. please elaborate on what you mean?

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      • I’m sort of confused with your statistics you wrote down. If you could possibly make this entire statment just a bit more clear I’d appreciate it. But as I replied to your previous comment, I considered many films going into this list and these were the ones that cut it for me. Every movie is memorable, no doubt, but these were the ones that I considered to be some of the greatest.

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        • I’ve considered the movies included in all the Top Tens published on the site.
          Seven, if i’m not wrong, but I may have skipped a couple.

          I refuse to think that movies like “The Strangers”, “Almost Famous”, “Jaws”, “Sin Nombre”, “Inception” could be superior to ANY other movie made outside the U.S.A. (really? No Bresson, De Oliveira, Pasolini, Truffaut, Bunuel, Herzog, Renoir, Tarkovskij, Kiarostami, Kieslowski, Kurosawa Wenders, Rohmer, or Kaurismaki were good enough?)

          It’s a very clumsy and short-sighted view of international cinema.

          The fact that very few non English-speaking films made the the lists reveals that either you haven’t understood them or you haven’t seen them.
          I prefer to believe the latter.

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          • Again, I dont think it’s respectful to put down anybodies understanding of film just because the films that you happen to find great aren’t found on any of our lists. (I’m sure Robert Hamer will include a few foreign films) These are the films we find great. You listed your list below and we listed ours. I’m certainly not going to attack your opinion and make accusations about you as a moviegoer because the movies I think are the best weren’t included on your list. But above you’ve only named one film that is on my list, which is Jaws. If you have an issue or question about one of the other movies that’s listed on another writers list ask them about it just like you did me, becuase I can’t speak for them but to say lists are what we considered great.

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          • Some of us did “favorites” some did “bests.” You can’t argue with someone’s view of their favorite movies.

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            • So you admit it.
              An apt title for your posts should have been “my favourite movies”.
              Something that any occasional moviegoer is able to do and that a professional critic would deem amateurish.

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              • Do you seriously not read? he said some of us did favorites some of us did best, the majority did a best list which this is particular list is.

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                • Then call it, aptly, “<3 <3 my favourite movies EVER. <3 <3" and post it on Yahoo Answers.

                  'nuff said.

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    10. memorable might not equal ten best of all time……….

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    11. great list btw. these lists might be my favorite articles ever on this site….

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      • Thank you very much. These lists must be great fun for you all of you to read. Hopefully we’ll do more lists like this in the future!

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    12. Bravo Anna!! You did a great job. Many surprises. I love the fact that you picked “A Place in the Sun”. A true sign of the times. We should never forget the talent of Montgomery Clift. Loved your comments and your choices. Keep up the good work and I look forward to your future articles.

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      • Thank you! I’m happy my placement in ‘A Place in the Sun’ could makeyou happy. Montgmoery Clift should most definitely never be forgotten.

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    13. Wow, very classy list. Like Joseph already said, it shows a great balance between objective criteria and subjective feelings. And Yankee Doodle Dandy…I haven’t seen that movie since I was a kid. Good memories.

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      • Well, I’m a very classy girl… well, when I want to be :-) But thank you! I’m happy that you could find enjoyment in some of the movies I consider to be great. You should watch Yankee Doodle Dandy again then… It always brings a smile to my face watching James Cagney do his thing.

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    14. An ideal top ten should include a thorough and all-embracing spectrum of eras, nationalities, genres and styles.
      Yours are mainly Hollywood-oriented, they don’t include movies from essential countries like France, Germany, Russia or Japan, there are no silent movies, no documentaries, no little known films.

      Just to show you a little example:

      1. Die Zweite Heimat – Chronik einer Jugend, Edgar Reitz (Germany, 1992)
      2. Andrey Rublyov, Andrej Tarkovskij (Russia, 1966)
      3. Crimes and Misdemeanors, Woody Allen (U.S.A., 1989)
      4. Barry Lyndon, Stanley Kubrick (U.K.,1975)
      5. Belle de Jour, Luis Bunuel (France, 1967)
      6. The Life and Death of Colonel Blimp, Michael Powell & Emeric Pressburger (U.K., 1943)
      7. Ran, Akira Kurosawa (Japan, 1985)
      8. Sunrise: A Song of Two Humans, Friedrich Wilhelm Murnau (U.S.A., 1927)
      9. L’Albero degli Zoccoli, Ermanno Olmi (Italy, 1978)
      10. The Barefoot Contessa, Joseph L. Mankiewicz (U.S.A., 1954)

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      • Foreign and silent films should not be on a list for the mere sake of adding exotic flair to a list, they should be on if one really loves them. I can’t tell if you are serious or being ironic. Although, I do think that a mature cinephile would naturally be drawn to all different styles of filmmaking, and would find that there are gems across every country and genre.

        With that said, this list lost me, but for the wonderful mention of City Lights in the top spot!

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        • Gianni- I saw below that you did embrace Psycho and Double Indemnity, and obviously City LIghts, but can you please elaborate why my list lost you?

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          • Alright! It is just a difference in our personal tastes, that’s all. I loathe Jaws, don’t care much for Yankee Doodle Dandee or The Best Years of Our Lives, and while I really like the Wizard of Oz, Star Wars, and The Godfather, I just don’t find them Top Ten worthy. Maybe The Wizard of Oz. Maybe. All that said, this is one of the two lists that I enjoyed the most.

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            • Gianni- If you had to make a top 10 off the top of your head what movies would you include? I’m very interested to see what movies would cut it for you.

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              • I guess my top ten would be:

                1. Gone with the Wind (Victor Fleming, 1939)
                2. All about Eve (Joseph L. Mankiewicz, 1950)
                3. The Earrings of Madame de… (Max Ophuls, 1953)
                4. Beauty and the Beast (Gary Trousdale and Kirk Wise, 1991)
                5. Mulholland Dr. (David Lynch, 2001)
                6. Stalker (Andrei Tarkovsky, 1979)
                7. In a Year with 13 Moons (Rainer Werner Fassbinder, 1978)
                8. Children of Paradise (Marcel Carne, 1945)
                9. Cries and Whispers (Ingmar Bergman, 1973)
                10. Metropolis (Fritz Lang, 1927)

                But I am only 100% sure of my top seven. I could easily swap out any of the last three for L’avventura, Violent Summer, I Am Love, The Apartment or In the Mood for Love.

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                • This is a much better top ten than all the other ones I’ve read posted on the site.
                  And that’s not because it’s closer to my tastes (I prefer Lang’s American phase and Rohmer’s version of and earlier Tarkovskij’s movies, for example), but because it considers more or less every form of international cinema, from France to Russia, from the USA to Germany, every genre and every era.

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        • It’s not exotic.
          It’s competent.
          Not recognizing any movie outside Hollywoodian Golden Era as worthy shows a very lacking knowledge of cinema itself.

          What you are saying with your top tens is that only American and English contemporary movies are worthy to be remembered.
          Top tens filled with U.S./U.K. movies made by American people.
          Case closed.

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          • I dont agree with you at all. I think it’s an insult to me and all the other all writers for you to even say that our knowledge is lacking in cinema because we embraced the golden era and didn’t think a foreign film/documentary deserved a placing in the top 10. I think that you need to remember this is all a matter of opinion and there is certainly no need for any insults towards the writers on this site who have spent years learning, loving and watching film. Next time you want to have a debate/discussion try not to be so disrespectful. I’ve said all I need to say on this matter. Case closed.

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            • Film critic is not a matter of “opinion”.
              If you seriously believe so, then you completely miss the point and the first rule of criticism.
              Art is to be judged, not fancied.

              I think it’s an insult to cinema the fact that you more or less deliberately choose to exclude movies from over the world because you were born and raised in the U.S.A.

              Imagine to find an italian critic posting his top ten putting only movies from his country: you would find it ridiculous, biased and lacking, wouldn’t you?

              And just look at the way in which you call them: FOREIGN movies.
              As if everything that’s not American is foreign.
              As if America stands at the centre of the universe.

              American cinema is just a part – though a big one – of the system. It’s not the only one.
              Accept it.

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              • so when are you gunna write an angry letter to the Academy for having a category for the Best Foreign Film?

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                • Wasn’t it a “case closed”, to you?
                  The AMPAS is an American organization that gives awards specifically to American movies (with few exceptions), just as Césars are given to French movies, Davids are given to Italian movies and so on.

                  It’s a deliberately American prize, like the Pulitzer Prize or the National Book Award.

                  On the other hand, a film critic “should” consider himself a citizen of the world and consider a film regardless of its nationality.

                  It’s not that difficult.
                  Maybe you don’t like to read subtitles.

                  Thousands and thousands of movies are released every year all around the world, and yet the best ones are the ones produced in the USA.

                  Maybe you should attend a film festival, from time to time.
                  Watch out, you could find it boring and “undeserving” of your consideration.

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                  • If it was deliberately an American prize, then movies like Crouching Tiger or Life is Beautiful would be ineligible in the BP field.

                    I think you should just get over the fact that some of our lists have foreign language (which is what we call them, no offense) films, and some don’t. If your list contained 10 Italian films, I don’t think anyone here would be upset about it.

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                    • Nobody would be upset if you had a list like that, in fact if we hadn’t seen the particular movies you’d listed, as a true moviegoer we would sit down and watch them and try o understand why you consider them great films. We wouldn’t sit here all stuck up insulting you that you’re movie knowledge isn’t up to par because what w consider best isn’t on your list, that would be just downright rude. The great thing about film is that we all can share it, we all share our thoughts and love for film and that passion inspires other movie lovers to consider what you say. When you turn into a snob and insult people because you didn’t get what you wanted, you just make loving movies looks like such a bad thing.

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                    • Brackets are not optional.
                      I wrote specifically that there could be a few exceptions.

                      I wouldn’t even dare to put 10 movies from my own country, because that would betray:
                      a) an incomplete knowledge of the rest of the world movie production;
                      b) pure and simple nationalism.

                      If you had aptly titled your lists something like “My favourite movies” and judged them with no critical pretenses, it would have been more honest.

                      But if you consider yourselves critics, then you should put away your feelings or likings and try to use an objective and artistic criterion.

                      This is what makes reliable critics from occasional movie-goers.

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      • You have a good list there of your own top ten, but I think my listalso does a good job at including all different types of genres. And just to point out there is a silent film, it’s the number one film on the list. Chaplin is silent. I shouldn’t have to include the movies that you listed on my list just for the sake of listing them. I’ve studied many foriegn films and documentaries and trust me I haven’t seen one good enough to take placement on this lsit. We can agree to disagree but that’s just how I feel. This list is a complete matter of opinion. You seem to fancy foreign films a bit more than I do but that sure doesn’t give you any right to tell me that I lack understanding in a particular genre because I decided to not to mention them.

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    15. Actually, that’s not entirely fair. I also think that Double indemnity and Psycho are fantastic choices for a top ten list.

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    17. Andrej — you have just done exactly what are you attacking, and you are attacking Anna for doing — her ow list — you created yours with that belief, rightly so, that it is right, just as Anna did, just as we all did — your comments are cheap and unkind — I too have have seen many foreign language films, some of the greatest ever made, but admittedly I prefer American cinema…period — my next list is the greatest foreign language cinema. Give me a day. Anna, great list, good job.

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    18. Love the Best Years of Our Lives mention Anna; what a fantastic film that is.

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    19. Anna, I enjoyed your list very much. Glad to see someone else singling out Psycho, #1 on my list and also Double Indemnity. Hitchcock and Billy Wilder are my two favorite directors of all time. So glad to see them on your list as well.

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      • Thank you. Without a doubt Psycho and Double Indemnity needed to be represented on my list. One can be considered the greatest horror film and the other such a powerful film noir. You dont get films like that anymore.

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    20. Great job, Anna. Love to see Chaplin there. City Lights is such a great movie. And I’ve been meaning to catch A Place In The Sun forever, so I guess now’s the time!!

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