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Oscar Circuit: “There’s a whole ocean of oil under our feet…”

Is Terrence Malick next in the Director's line?

…no one can get at it except for me” – Daniel Plainview, There Will Be Blood

That’s how I feel about this Oscar race.  I feel I see something that no one else does.  I’ve been doing this a long time but I’ve never had the overwhelming feeling like I just figured out the Oscar race in August.  I was sitting down to do my Oscar predictions like any other month.  Making some switches, moving some contenders, and cleaning out films and performances that we thought would be coming out but still have no release date.

I stared at a few names and had an epiphany.  It was as if I was Russell Crowe in A Beautiful Mind, and the code all came off the page and circled my head in an Oscar sensation.  On August 25, 2012 I’ve chosen to make my first ballsy prediction of the year.  Terrence Malick and his film, To the Wonder wins Best Director and Best Picture at the Oscars 2013.  How did I come to this conclusion you ask?  I will discuss this in more detail on this week’s Power Hour which premieres on Monday but I’ll attempt to give you the best break down possible in the following thoughts beginning with the Director field:

  • Steven Spielberg, Ang Lee, Kathryn Bigelow, Tom Hooper have all won Oscars.  Bigelow, Lee, and Hooper have all won within the last ten years.
  • I think in order for Spielberg to win a third directing Oscar, Lincoln has to be on the same level if not, better than Saving Private Ryan and/or Schindler’s List.  Not sure if that is possible but you never know.
  • Obvious qualms about rewarding the previous rewarded directors:  There are still grumblings that Hooper has David Fincher’s Oscar so I don’t think they go Round 2 for him.  Bigelow is a woman and we probably won’t see a woman rewarded again for a long time.  Ang Lee is Asian, and they don’t typically go for Asians.  Sad truth.  Also, Life of Pi may be too much for some of the Academy members.
  • That would leave the following Top Tier Contenders battling it out: Paul Thomas Anderson, Ben Affleck, and Terrence Malick.
  • Affleck has been ignored for both his directorial efforts thus far which were all well-received by critics and I believe that it will be baby steps with Affleck.  He’s lucky if he’s nominated for Argo.
  • As reviews come through for The Master, it looks to be one of the better films of the year but older Academy members may not “get it.”  Also, Anderson has the Screenplay category to win a consolation prize, where he’s been nominated for Magnolia, Boogie Nights, and There Will Be Blood.
  • Based on synopsis, To the Wonder sounds to be Malick’s most accessible film yet.  A contemporary love story and one of his shortest run times.  Malick has had loyal followers within the Academy that have embraced him for The Thin Red Line and The Tree of Life.  My guess is he picks up more followers that haven’t been able to latch on to his other efforts.  It’s a perfect narrative.
  • But it’s not that simple.  Michael Haneke is in the same boat as Malick for his film Amour.  Early word says that Amour is Haneke’s most accessible film to date.  I’m sure there have been voters that struggled with The White Ribbon, Cache, and The Piano Teacher.  Haneke’s chink in the armor is the Foreign Language barrier.  Perhaps they want to throw him a bone in Screenplay.  Anderson vs. Haneke in Screenplay would be a great headline.
  • There are spoilers to this thought but it’s hard to see them actually winning at this point.  Benh Zeitlin and Beasts of the Southern Wild could go on critical sweep and wreak havoc on the entire awards season.  Zeitlin’s prize looks to be in Adapted Screenplay.
  • Ben Lewin and The Sessions could sneak in and go for all the top awards.  I am currently predicting John Hawkes and William H. Macy to both win Oscars a la Sean Penn and Tim Robbins for Mystic River.  Who’s to say that won’t spread to Adapted Screenplay, Director, and Picture.  Alexander Payne’s Sideways was surely in the hunt.
  • As much as I would love it, I don’t think Wes Anderson or Moonrise Kingdom poses any threat.  I’ll be glad if it makes it in the Screenplay race.

The wrench thrown into the mix now is Gus Van Sant and the latest entry into the race, Promised Land written by Matt Damon, John Krasinski, and Dave Eggers.  Van Sant has been a a well-respected director for years with two nominations for Good Will Hunting and Milk, both win-worthy.  Not to mention that Van Sant has been ignored for his brave efforts like Elephant and Last Days.  If the film lives up to expectations and surprises enough people, Van Sant and Promised Land could find itself on the center stage.

Now, I’m fully aware that most of these films haven’t come out yet and I could be blowing smoke into the air but I’ve never felt so strongly about the possibility of the outcome of the Oscar race this early in the year.  I’ll admit I’m wrong if and when I am but for now I’m going with it.

Keira Knightley in Anna Karenina fits the mold of previous Best Actress winners.  The Academy likes them young and Knightley should gain a lot of support from the British voting body of the Academy unless Laura Linney, Marion Cotillard or Quvenzhane Wallis have their lovers.  Supporting Actress is still Anne Hathaway’s to lose unless Adams gets the overdue factor or Sally Field stands out as the lone woman in Spielberg’s Lincoln.

While all the Commentary boxes aren’t updated yet, you can look at the rankings of each contender the pages.  My predicted winners are below:

CATEGORY WINNER
PICTURE To the Wonder
DIRECTOR Terrence Malick (To the Wonder)
LEAD ACTOR John Hawkes (The Sessions)
LEAD ACTRESS Keira Knightley (Anna Karenina)
SUPPORTING ACTOR William H. Macy (The Sessions)
SUPPORTING ACTRESS Anne Hathaway (Les Miserables)
ORIGINAL SCREENPLAY Paul Thomas Anderson (The Master)
ADAPTED SCREENPLAY Beasts of the Southern Wild (Lucy Alibar, Benh Zeitlin)
ANIMATED FEATURE ParaNorman
ART DIRECTION Anna Karenina (Sarah Greenwood)
CINEMATOGRAPHY To the Wonder (Emmanuel Lubezki)
COSTUME DESIGN Anna Karenina (Jacqueline Durran)
FILM EDITING The Master (Peter Multry)
MAKEUP Lincoln
SOUND MIXING The Avengers
SOUND EDITING The Avengers
VISUAL EFFECTS The Hobbit: An Unexpected Journey
ORIGINAL SCORE Argo (Alexandre Desplat)
ORIGINAL SONG “Still Alive” from Paul Williams Still Alive
FORIEGN LANGUAGE Amour

Interactive Whiteboards by PolyVision

Comment and share your predictions!

Clayton Davis is the respected and esteemed AwardsCircuit.com editor. Clayton has become a proud member of the Broadcast Film Critics Association where he votes and attends the kick off to awards season show, The Critics Choice Movie Awards. Most recently, Clayton is a now an active member of the International Press Academy, which hosts the popular Satellite Awards as well as the newly integrated Broadcast Television Journalists Association, which hosts the Critics Choice Television Awards.

20 Comments

  1. GL

    August 25, 2012 at 6:09 pm

    Lol. That is all I have to say Clayton. I admire your guts though. Stick with them, and champion for them this entire season. Maybe some Academy members will encounter this and actually follow through.

    It’s sad though to say that your BP and BD pics are a little on the “wish” side. The hard faced facts are, Malick is too artsy. Too different. Too quiet, for the Academy. Especially the directors branch, who are fickle, mostly old white men. For “To The Wonder” to achieve the impossible it would’ve to be not only a masterful film, but a BOXOFFICE SUCCESS. The film would’ve have to win Venice, Toronto, and whatever is coming next. It would have to sweep, it would need a trailer by now to even be considered a threat. His Academy support for “Tree of Life” was disgustingly mute. His directors’ nomination truly came from the fact he won Palm during Cannes given to him by a prominent American Academy member. Even with its pedigree without those variables the film would’ve have been M.I.A. during the award season. Those are the sad, but mostly true fact about Malick.

    I am really excited for “The Sessions” though as of now I still think Hawkes is in that third tier, the underdog, the Michelle Williams of last year spot. The race seems to be really heating up for DDL and Phoenix. Even with Helen Hunt going supporting, It also seems to be a Hathaway, Adams race with Hathaway winning for a showier role and massive contribution to the industry through the Dark Knight success. Though I am still expecting the lead actress race to heat up someway, somehow, PLEASE LOL, Knightley is the correct logical front-runner as of now. The Supporting Actor category is wide opened. Anything could happen there.

    Here are some side notes though, Don’t count Haneke out from a BP or BD nom spot. Don’t count Nolan or the Dark Knight Rise out either. Don’t count Benh Zeitlin. If the Academy supports the film, he WILL receive a nom. The film is just too critical to be widely received and dismiss the main guy behind the formula, the director. It would be like awarding “The Artist” BP but dismissing the director.

    Good luck though Clayton, this is by far the best, most passionate, anti-fanboy prediction you’ve come up with ever this early on the race. Let’s see where this goes by October.

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  2. Steve Glansberg

    August 25, 2012 at 7:27 pm

    Ha ha this is fantastic! Predicting the Oscars can become such a predictable drag, it’s always great to see someone taking a chance on riskier choices, like Malick. And I’m glad to see that there’s still some enthusiasm for Lubezki, even after last season’s loss.

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  3. Henry Z.

    August 25, 2012 at 9:08 pm

    Terrance Malick’s films lately have been very polarized. The confusion in his films often keep them from greatness, even if they are fascinating to look at, thus resulting in turning off voters. So, “To the Wonder” may be a bit too much for the Academy. But, they may still appreciate Malick and garner him a nomination…

    And, I wouldn’t knock of Life of Pi…just yet.

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  4. JamDenTel

    August 25, 2012 at 11:14 pm

    “Also, Life of Pi may be too much for some of the Academy members.”

    What? Too boring even for them?

    But anyway, although I’m personally rooting for The Master, I’d be quite happy to see Malick get the Oscar. Certainly The Tree of Life, IMO, was the best BP nominee of last year.

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  5. JamDenTel

    August 25, 2012 at 11:22 pm

    Also, personally, I really don’t think the Beasts of the Southern Wild script deserves a nomination, let alone a win. THE DEEP BLUE SEA, HEADHUNTERS, BERNIE, and MADAGASCAR 3 were all far superior adapted scripts.

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  6. Aaron McMahon

    August 26, 2012 at 4:24 am

    PICTURE The Master
    DIRECTOR Paul Thomas Anderson (The Master)
    LEAD ACTOR Joaqiun Phoenix/John Hawkes
    LEAD ACTRESS Keira Knightley?
    SUPPORTING ACTOR Leonardo DiCaprio?
    SUPPORTING ACTRESS Anne Hathaway- I Dreamed a Dream puts her in the lead
    ORIGINAL SCREENPLAY Paul Thomas Anderson (The Master)
    ADAPTED SCREENPLAY Life of Pi/The Sessions-sight unseen
    ANIMATED FEATURE Rise of the Guardians/Wreck-It-Ralph-sight unseen
    ART DIRECTION Les Miserables
    CINEMATOGRAPHY The Master
    COSTUME DESIGN Mirror Mirror
    FILM EDITING Life of Pi
    MAKEUP Lincoln
    SOUND MIXING Brave- Dolby Atmos=win
    SOUND EDITING The Avengers
    VISUAL EFFECTS The Avengers-nothing else since Avatar has been that amazing and The Hobbit will probably suck
    ORIGINAL SCORE Rust and Bone/Beasts of the Southern Wild/Life of Pi
    ORIGINAL SONG Abraham’s Daughter, The Hunger Games

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  7. JeremyJ

    August 26, 2012 at 8:44 am

    Someone tell me why Django Unchained isn’t even being listed for Best Picture?

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  8. Genadijus

    August 26, 2012 at 8:50 am

    My predictions:

    Best Picture – THE MASTER (Dark horse: LINCOLN).
    Best Actor – Joaqiun Phoenix (Dark horses: Daniel Day Lewis / Bill Muray)
    Best Actress – Keira Knightley (Dark horses: Naomi Watts / Laura Linney)
    Best Supporting actor – Leonardo di Caprio (Dark horses: William H. Macy / Philip Seymour Hoffman)
    Best Supporting actress – Anne Hathaway (Dark horses: Amy Adams / Anette Bening)

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  9. Myles Edward Hughes

    August 26, 2012 at 9:54 am

    Someone’s getting ballsy in his old age, hahaha. Excellent write-up Clay. It’ll definitely be interesting to see if To The Wonder has the same impact you’re predicting.
    I have a hunch that Beasts of the Southern Wild will make a bit more of a killing (it’s my current frontrunner for Best Picture).
    Agreed that Hawkes is a serious threat for Best Actor, though don’t underestimate Phoenix (I got to see The Master last week and he is stunning. All three lead actors will definitely be nominated).
    Not as sure about Best Actress, though I’d love to see someone like Naomi Watts take it.
    Supporting Actor is DiCaprio’s to lose at this point (it’s a category that loves to reward scene-stealing villains, and his multiple nominations definitely make him due for a win).
    Agreed that Hathaway is the best shot for Supporting Actress.

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  10. John H. Foote

    August 26, 2012 at 10:19 am

    Whoa!!!! Gutsy move Clay — it is interesting but I feel as strongly about Lincoln, Day-Lewis and Spielberg as you do about To the Wonder and Malick — all of your logic is sound, every bit of it — I especially agaree with the fact that Lincoln is going to have to be at least as good as Saving Private Ryan (1998) or Schindler’s List (1993), but I think Spielberg knows this — one of his strengths (if you call it that) is that he evolves in playing the game, the Oscar game — he blew it with Saving Private Ryan (1998) and knows it, so if Lincoln is discussed in Oscar talk, he will be there ever step of the way and To the Wonder cannot count on Malick for that — not sure he will ever surpass Schindler’s List (1993), but if it is better than Ryan, he could win — I am seeing To the Wonder in a few days and looking forward to it to see if the actors can carry a film such as this — totally agree that Hooper won Fincher’s Oscar — great piece…and as I said, gutsy.

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  11. Christophe

    August 26, 2012 at 10:51 am

    I never try to predict the Oscars, the Academy being so “unpredictable”… but I do like to wonder who I would vote for if I were part of the Academy:

    Best Picture – LES MISERABLES
    Best Director – Wes Anderson – MOONRISE KINGDOM
    Best Lead Actor – Bill Murray – HYDE PARK ON HUDSON
    Best Lead Actress – Laura Linney – HYDE PARK ON HUDSON (unless Anne Hathaway gets a nod in the lead category for LES MIZ)
    Best Supporting Actor – ???
    Best Supporting Actress – Anne Hathaway – LES MISERABLES
    Best Original Screenplay – MOONRISE KINGDOM
    Best Adapted Screenplay – LES MISERABLES
    Best Animated Feature – FRANKENWEENIE

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  12. Tyler

    August 26, 2012 at 4:47 pm

    PICTURE:
    Lincoln
    Les Miserables
    The Master
    Argo
    Beasts of the Southern Wild
    Anna Karenina
    Zero Dark Thirty
    Life of Pi
    Promised Land
    Hyde Park on Hudson

    DIRECTOR:
    Steven Spielberg
    Paul Thomas Anderson
    Tom Hooper
    Ben Affleck
    Ang Lee

    ACTOR:
    Daniel Day Lewis
    Joaquin Phoenix
    John Hawkes
    Bill Murray
    Denzel Washington- Flight

    ACTRESS:
    Quvenzhane Wallis
    Keira Knighely
    Maggie Smith- Quartet
    Laura Linney
    Naomi Watts- Impossible

    SUPPORTING ACTOR:
    Philip Seymour Hoffman
    Leonardo DiCaprio
    Russell Crowe
    Dwight Henry
    Hal Holbrook- Promised Land

    SUPPORTING ACTRESS:
    Anne Hathaway
    Helen Hunt
    Vanessa Redgrave- Song for Marion
    Judi Dench
    Sally Field

    ORIGINAL SCREENPLAY:
    The Master
    Amour
    Moonrise Kingdom
    Promised Land
    Django Unchained

    ADAPTED SCREENPLAY:
    Beasts of the Southern Wild
    Lincoln
    Les Miserables
    The Sessions
    Silver Linings Playbook

    CINEMATOGRAPHY:
    The Master
    To the Wonder
    Life of Pi
    Les Miserables
    Django Unchained

    EDITING:
    Zero Dark Thirty
    Argo
    Les Miserables
    The Master
    Lincoln

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  13. Jack

    August 26, 2012 at 5:09 pm

    I really hope this happens. Not only is Malick my favorite director in all of cinema history (his films have vastly changed how I look at the world and myself in it) but To the Wonder seems to be a return to form for him. He has always done best with his quiet love stories and I think To the Wonder will be a bit more conventional (even if Lubezki says no) and gain more fans. Malick deserves an Oscar more than anyone in the biz. He makes movies that can change people and the medium. I really want this to happen, props for the ballsy move Clayton.

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  14. Henry Z.

    August 26, 2012 at 6:00 pm

    @Jack, there have been many directors who never won an Oscar for directing such as Lumet and Altman. Malick is just one on the list….sadly.

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  15. Awesome

    August 26, 2012 at 6:28 pm

    William H. Macy won’t win Best Supporting Actor. His performance is good, but nothing worthy of a supporting actor winner. It’s a very light performance. I found it more like a comedic relief in the film. I could see a John Hawkes, Helen Hunt duel win. Both are brilliant performances and Hunt’s is very daring. People keep talking about Macy, aside from Hawkes, for a nomination/win, but I think Hunt is not getting enough buzz/credit for her roll.

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  16. Nick

    August 26, 2012 at 10:21 pm

    My 2 cents:

    I’ve heard Flight is a tour de force for Denzel and a welcome back party for Zemeicks. I’ve also read a script review long before Denzel was cast saying whoever lands the role will be contending for an Oscar nom.

    Silver Linings Playbook is enjoyable, but very fluff lightweight stuff. Nice performances, but rather pedestrian.

    With the release of Promised Land, I get the feeling that Focus isn’t too impressed with their slate of films per se- Moonrise Kingdom already came out, but now they need to build campaigns for Anna Karenina, Hyde Park, an now Promised Land. 4 potential Best Picture nominees-I don’t know, just seems a bit excessive.

    Even if To the Wonder scores raves at TIFF and Venice, which distributor can purchase it, find a nice release date, and build a strong enough run for the Oscars? Weinsteins will probably put most their marbles into The Master, they also got Django, Silver Linings, Killing them softly, Quartet, and Populaire to worry about. Sony Classics just bought The Comoany They Keep and Rust/Bone and Amour have been screened. I already mentioned Focus, and Fox Searchlight has Beasts and The Sessions. they picked up Shame last year, but failed to score any Oscars. I still believe To the Wonder will get sold, but by who and when will it come out.

    Same goes for Place Beyond the Pines, imogene, etc. The race is too crowded coming up.

    Les Miserables/Anna Karenina both classic literary stories being remade for the 100th time, will the Academy really go for that?

    Apparently, according to early reaction Argo is more in line with The Town, an action movie with a real story and humanity and The Town came this close to an Best picture slot. However, this is based on a true story and produced by George Clooney.

    IMO, it’s between Lincoln/Master. Will Day Lewis/Spielberg receive their 3 category wins. The last few winners have been original stories, so it could be time to break the trend and go back to adapted material such as Lincoln.

    The Master could either be like Black Swan/Tree of Life or No Country, a dark poloarizing picture from the early word.

    either way, sorting out to be a fun awards race.

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  17. Massimo

    August 27, 2012 at 1:20 am

    Props Clayton on making such a bold choice this early in the oscar race. As a huge Malick fan i would love nothing more then for your prediction to come true. My fingers are crossed very tightly.

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  18. Jeremy DC

    August 27, 2012 at 12:18 pm

    If your predictions do come true I hope it’s because To the Wonder deserves it and not because they think Malick is “due”.

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  19. Roger

    August 28, 2012 at 8:21 pm

    Actually I think you understimate “Argo”. It will be Warner Bros’ biggest Oscar player and with names like George Clooney behind, it could be the sleeper hit. Also I think Bryan Cranston could win in the supporting category

    For Keira Knightley’s prospects… Nah, I don’t think she’ll win. Also, I believe Anna Karenina will be “The Portrait of a Lady” 2.0, an experimental adaptation from a classic adaptation who came with mixed results and few awards prospects. Knightley would be lucky if she gets a second nomination.

    If you believe “To the Wonder” will win the Oscar, maybe Rachel McAdams could sneak it for Best Actress. She’s young, having a good record -Working with Woody Allen, Brian De Palma and Terrence Malick- and she’s less polarized actress than Knightley. Just need to known for Venice reviews. For awards prospects, maybe Fox Searchlight, Lionsgate or Roadside Attraction -After all Winter’s Bone, Biutiful and Albert Nobbs got noms-,,,

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  20. Benny

    August 31, 2012 at 10:29 pm

    PICTURE:
    Argo
    Lincoln
    Les Miserables
    Anna Karenina
    Beasts of the Southern Wild
    The Master
    Amour
    Life of Pi
    Promised Land
    Zero Dark Thirty

    ACTOR:
    Joaquin Phoenix
    Daniel Day Lewis
    John Hawkes
    Bill Murray- Hyde
    Denzel Washington- Flight

    ACTRESS:
    Quvenzhane Wallis
    Keira Knightley
    Maggie Smith
    Emmanuelle Riva- Amour
    Naomi Watts- The Impossible

    SUPPORTING ACTOR:
    Philip Seymour Hoffman
    Hal Holbrook
    Leonardo DiCaprio
    Russell Crowe
    Dwight Henry

    SUPPORTING ACTRESS:
    Amy Adams- Master
    Anne Hathaway
    Helen Hunt
    Vanessa Redgrave
    Sally Field

    DIRECTOR:
    Ben Affleck
    Paul Thomas Anderson
    Steven Spielberg
    Tom Hooper
    Michael Haneke

    ORIGINAL SCREENPLAY:
    Amour
    The Master
    Moonrise Kingdom
    Promised Land
    Django Unchained

    ADAPTED SCREENPLAY:
    Beasts of the Southern Wild
    Argo
    Lincoln
    The Sessions
    Quartet

    EDITING:
    Zero Dark Thirty
    Argo
    The Master
    Les Miserables
    Life of Pi

    CINEMATOGRAPHY:
    The Master
    Life of Pi
    To the Wonder
    Les Miserables
    Django Unchained

    PRODUCTION DESIGN:
    Les Miserables
    Anna Karenina
    Lincoln
    Life of Pi
    The Hobbit

    COSTUME:
    Les Miserables
    Anna Karenina
    Lincoln
    Mirror Mirror
    Snow White

    SCORE:
    The Master
    Lincoln
    Argo
    Anna Karenina
    The Hobbit

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