It’s getting serious now. Oscar Circuit to follow sometime today or tomorrow. For now, enjoy the predictions. Also, keep in mind, there is commentary listed below on the Oscar Predictions Pages now as well as commentary on the individual pages in the categories. Click on the box or picture and it will bring you to the commentary (FOR IT, AGAINST IT).
Also, comment and discuss your own predictions!
Looking forward to them!!!
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Comments: 11 Comments |
11 Comments












BEST PICTURE:
Argo
Silver Linings Playbook
The Master
Lincoln
Les Miserables
Beasts of the Southern Wild
Life of Pi
Zero Dark Thirty
Promised Land
Amour
DIRECTOR:
Paul Thomas Anderson- The Master
Ben Affleck- Argo
David O Russell- Silver Linings Playbook
Steven Spielberg- Lincoln
Michael Haneke- Amour
ACTOR:
John Hawkes- The Sessions
Joaquin Phoenix- The Master
Daniel Day Lewis- Lincoln
Denzel Washington- Flight
Rchard Gere- Arbitrage
ACTRESS:
Jennifer Lawrence- Silver Linings Playbook
Quvenzhane Wallis- Beasts of the Southern Wild
Marion Cotillard- Rust and Bone
Maggie Smith- Quartet
Emmanuelle Riva- Amour
SUPPORTING ACTOR;
Philip Seymour Hoffman- The Master
Leonardo DiCaprio- Django Unchained
Robert Deniro- Silver Linings Playbook
Hal Holbrook- Promised Land
Alan Arkin- Argo
SUPPORTING ACTRESS:
Anne Hathaway- Les Miserables
Helen Hunt- The Sessions
Amy Adams- The Master
Sally Field- Lincoln
Pauline Collins- Quartet
ORIGINAL SCREENPLAY:
Promised Land
Amour
Django Unchained
The Master
Moonrise Kingdom
ADAPTED SCREENPLAY:
Silver Linings Playbook
Argo
Beasts of the Southern Wild
Lincoln
The Sessions
CINEMATOGRAPHY:
The Master
Life of Pi
Django Unchained
Anna Karenina
Les Miserables
EDITING:
Argo
Zero Dark Thirty
The Master
Lincoln
Les Miserables
PRODUCTION DESIGN:
Les Miserables
Anna Karenina
Lincoln
The Hobbit
Cloud Atlas
SCORE:
The Master
Lincoln
Anna Karenina
Moonrise Kingdom
Argo
Wendy(Quote) (Reply)
Best Actress: Keira Knightley instead of Naomi Watts, Mary Elizabeth Winstead instead of Jennifer Lawrence.
Best documentary feature: “Stories we tell” by Sarah Polley
Corvo(Quote) (Reply)
On point Clayton.
GL(Quote) (Reply)
I’m confused why you don’t have The Sessions down as a BP nom, even though you’re predicting it for Actor, Supporting Actor, Supporting Actress, and Screenplay, especially since you have SLP for BP with only Actress and Screenplay. I know you have SLP down for director as well, but I would say it’s such that it will go to whatever is nominated for BP, and Lewin could just as easily have it were The Sessions nominated instead of SLP.
This is not to day I strictly feel The Sessions is a more likely/better choice than SLP, just I find your predictions inconsistent.
UBourgeois(Quote) (Reply)
The Sessions could go the same way as “Doubt” – Streep, Adams, Davis, Hoffman, Screenplay. That’s it.
I feel Sony Pictures Classic is going to push “Amour” substantially and the film still is at #9. Because of the sliding scale, we could get anything. I’m feeling 8 nominees as of now.
And about the inconsistency, the race is inconsistent, especially in September. New feelings, new ideas come everyday with every new screening at a festival. It happens.
Clayton Davis(Quote) (Reply)
Absolutely agree, Clayton. The film will be all about the acting (though I’m skeptical about William H. Macy’s nom), and I just do not see Fox Searchlight Pictures pushing “The Sessions,” a comedy that has ZERO shot at winning even if it lands in the nomination roster, over the far more emotionally resonating “Beasts of the Southern Wild,” a spellbinding narrative that I’m sure at least 5% of Academy members will have no problem writing down as the best film they’ve seen all year. The fact that “Beasts” still hasn’t set a DVD release date is incredibly telling. It’s simply the wiser film to campaign for the studio, with all bases covered (picture, score, screenplay, acting, cinematography, director, etc.).
Joseph Braverman(Quote) (Reply)
My 2 cents:
BEST PICTURE: IMO, at the moment, Argo is the frontrunner. A fact based political thriller set in Hollywood. All-star cast, Affleck at the helm, Clooney producing. Crowd pleasing, backed by Warner Bros.
Playbook is number 2. The academy is begining to warm up to O Russell. Adapted story about real-life problems-mental illness. Mixture of young talent and old. Audience friendly. This year’s Descendants, Up in the Air, Little Miss Sunshine. Will take away the dramedy vote from The Sessions. Backed by Weinstein.
The Master will be the critical favorite. The older members will certainly be baffled by it, but will get a majority of first place votes. PTA has garned many nominations before. The scientlology angle has been played down. Wouldn’t surprise me if there’s a Picture/Director split. The Black Swan/Tree of Life. I have a feeling, Harvey will put his marbles for Playbook as Picture and PTA for director, but still campaign them both.
Lincoln is Spielberg/Day Lewis. Always contender, unless more of a War Horse vibe. Les Miserables is tricky. A well-beloved musical-star cast-hot director fresh off a win. Will take away votes from Anna Karenina, the other literary classic, which has only scored middling reviews. Life of Pi could be a dark horse- Ang Lee is adored, but he at times goes crazy with style- Hulk. This is in 3D. Django Unchained could either be Pulp Fiction/Basterds-healthy box office and make room in the Oscars, or Tarantino’s fantasy- Death Proof/Kill Bill. Amour is universally acclaimed, but will it be too strong? A Seperation was hailed as a masterpiece, so who knows. Promised Land, given its release date will probably miss many of the precusors-Guilds, Globes, but if given enough room, could sneak in. This is more Oscar friendly like Van Sant’s Good Will Hunting, Milk. Damon has already won an Oscar for writing, and the subject matter could hit home in an election year. Same goes for Zero Dark Thirty.
ACTING:
Bill Murray seems to be out due to the film’s less than stellar buzz. He could pop up at the Globes, etc due to his name such as DiCaprio, but the odds are not in his favor. Richard Gere could have a lasting effect such as Gary Oldman or even Demian Bihchir last year. Famous actor, no previous nods, good box office and reviews, plus Roadside Attractions has put out terrifc campaigns in the past. Day Lewis will probably be in regardless, but this could be like Gangs of New York, and could go down.
To me, the Best Actor race comes down to Hawkes/Phoenix. With Hawkes edging out, he’s the right age, playing a disabled man, crowd pleaser. Phoeni could be tough and not wanna campaign himself, plus will the Academy be over his I’m Still Here stunt. No question, Phoenix’s performance is the best of the year, his career, etc, and PTA is the best actor’s director right now.
I think Hoffman goes supporting not to cancel Phoenix out, which will cancel out another Weinstein film- django, which will have Leo in a bad guy role. QT writes great characters, but Waltz is the only to win an Oscar for a QT film. Robert DeNiro will be in the mix for Playbook. The final spots will be either Dwight Henry, Russell Crowe, Alan Arkin/John Goodman, or perhaps a big surprise like von Sydow- maybe Holbrook. McConegheny will probably be best suited for the Globes.
If Jennifer Lawrence is nominated, she’ll be the youngest with 2 nominees. Quenzhane is number 2-she has her support, but have often does really young performers win. Let alone a black actress in a leading role. Will 2 foreign langiage nominees contend- Cotillard and Riva? Knightley’s probably out unless her film is nominated.
Supporting actress is so weak- Amy Adams will probably get in like she did for Doubt. The role’s small and somewhat one note, but she’s been singled out and is a darling. Anne seems to be the one to beat.
Jack(Quote) (Reply)
I wouldn’t be too sure about Knightley being out with the film – even overtly negative reviews have praised her performance. I think Anna Karenina is one of those movies where people will be willing to take the performance by itself.
UBourgeois(Quote) (Reply)
I actually think it was a good choice to move The Sessions off of the best picture top 8. I think The Sessions definitely has locks on a few acting nominees etc, but I don’t think it will make it any further than a nomination in the best picture race. It just doesn’t have the heft that many of these big players (The Master, Lincoln, Les Miserables, etc) have. Basically, I’ll be skeptical of the little film until I’m proven wrong (which of course I very well could be, and happily too).
Between that and your support for Amour, I’m pretty much on board with your predictions so far. Now, I am still skeptical about the Life of Pi, and I’ve got my fingers crossed for a sizable push for Killing Them Softly by the Weinsteins, but other than that it’s looking like a pretty exciting race. Maybe the voters will even max out the number of possible nominees for best picture.
Oh yes, and I am amazed by the comments on how weak the supporting actress race is. Between Adams, Hathaway, Hunt, and Field, I’m not sure we will get a clear leader or even a pair of leaders for the whole season!
Steve Glansberg(Quote) (Reply)
I’m sorry but I just read your updated Oscar predictions and some of the updates are ridiculous!
I myself work on Oscar predictions and statistics for years now, and to have The Hobbit NOT nominated in Effects and Makeup is just madness. The is the front runner to win both at the time, and you took the out? I don’t get it.
The rest of the predictions are quite good, but this Hobbit staff is just ridiculous. Can you tell me WHY you don’t think the Hobbit will be nominated in Effects and Makeup.
The CGI will be top class Weta work, and the same team that won 3 Oscars for LOTR is returning. Plus, we have a grand scale CG Art and all time of CGI and VFX creatures including the modernized version of Gollum. And that movie will not be nominated for Effects?
And the makeup? Holy… This is the prefect presentation of the new name of the categories Makeup and Hairstyling. Top class Prosthetic makeup plus top class haircuts.
Please, I don’t want to sound rude or something, I just want to know why you have made this decision?
Emil Petrov(Quote) (Reply)
This might sound surprising but I don’t expect ‘Les Miserables’ to get too much recognition (even if the film is critically acclaimed and well-loved). In fact, I’d be majorly surprised if Anne Hathaway gets nominated. On stage, Fantine’s role is for about 20 minutes or so, which will OBVIOUSLY be reduced for the film. So, I don’t expect her to get a screen-time of more than 10-15 mins (and that includes the final encore). I know Judi Dench did win for being onscreen for only 8 minutes, but that was different. Plus Hathaway is competing against Samantha Barks, who has played Eponine before at the West End and the 25th Anniversary concert of Les Mis. And Eponine’s part is much bigger than Fantine’s part. According to me, ‘Les Miserables’ might just end up becoming this year’s ‘Drive’ – an extremely well-liked film, but not recognized to a great extent.
Divya(Quote) (Reply)