aclogoWell here we are.  It was time to build a site that would have the readers in mind.  How many times do you come to the site and have to scroll for what feels like an eternity and perhaps even go to other pages to find a post that you missed? Do you love all the coverage of “American Idol” or more so, do you HATE all the coverage of “American Idol” during season? Well now they have its own section as well as everything else like News, Historical Circuit, Trailers, Images, Editorials, and more.

There are still many kinks to work out but the idea was to put everything into its own category. If you have a suggestion or a section that you feel you want us to create, let us know. The menu bar is essentially the same. The Oscar pages need a massive overhaul as you can see, they didn’t translate too well to the new format. Back to the drawing board there.

I’m glad you all are still here. I’m glad you continue to visit the Awards Circuit and make it one of the cornerstones of film talk on the internet. This overhaul was for YOU! Now we can focus back on the awards, film festivals, and bring some much needed ACCA voting. Get ready.

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Clayton Davis
Clayton Davis is the esteemed Editor and Owner of Born in Bronx, NY to a Puerto Rican mother and Black father, he’s been criticizing film and television for over a decade. Clayton is a member of the Broadcast Film Critics Association where he votes and attends the kick off to the awards season, the Critics Choice Awards. He also founded the Latino Entertainment Journalists Association, the first Latino-based critics’ organization in the United States. He’s also an active member of the African-American Film Critics Association, New York Film Critics Online, International Press Academy, Black Reel Awards, and the Broadcast Television Journalists Association. Clayton has been quoted and appeared in various outlets that include The New York Times,, Variety, Deadline, Los Angeles Times, FOX 5, Bloomberg Television, AOL, Huffington Post, Bloomberg Radio, The Wrap, Slash Film, and the Hollywood Reporter.