abrahamattahSt. Louis Film Critics handed out their nominations with “Mad Max: Fury Road” making an impressive showing.  The double nominations for Alicia Vikander continue in both Lead and Supporting for “The Danish Girl” and “Ex Machina.”  The group also invited nominations for the undervalued and under-cited Abraham Attah in “Beasts of No Nation” and critical favorite Kristen Stewart in “Clouds of Sils Maria.”

Check out the nominations below:

BEST FILM

Inside Out
Mad Max: Fury Road
The Martian
The Revenant
Room
Spotlight

BEST DIRECTOR

Todd Haynes, “Carol”
Alejandro G. Inarritu, “The Revenant”
Tom McCarthy, “Spotlight”
George Miller, “Mad Max”
Ridley Scott, “The Martian”

BEST ACTOR

Abraham Attah, “Beasts of No Nation”
Matt Damon, “The Martian”
Leonardo DiCaprio, “The Revenant”
Ian McKellen, “Mr. Holmes”
Eddie Redmayne, “The Danish Girl”

BEST ACTRESS

Cate Blanchett, “Carol”
Brie Larson, “Room”
Saoirse Ronan, “Brooklyn”
Charlize Theron, “Mad Max: Fury Road”
Alicia Vikander, “The Danish Girl”

BEST SUPPORTING ACTOR

Paul Dano, “Love and Mercy”
Idris Elba, “Beasts of No Nation”
Mark Ruffalo, “Spotlight”
Mark Rylance, “Bridge of Spies”
Sylvester Stallone, “Creed”

BEST SUPPORTING ACTRESS

Jennifer Jason Leigh, “The Hateful Eight”
Rooney Mara, “Carol”
Kristen Stewart, “Clouds of Sils Maria”
Kate Winslet, “Steve Jobs”
Alicia Vikander, “Ex Machina”

BEST ORIGINAL SCREENPLAY

“Clouds of Sils Maria,” Olivier Assayas
“Ex Machina,” Alex Garland
“The Hateful Eight,” Quentin Tarantino
“Inside Out,” Pete Docter and Ronnie Del Carmen
“Spotlight,” Tom McCarthy and Josh Singer

BEST ADAPTED SCREENPLAY

“Brooklyn,” Nick Hornby
“Creed,” Aaron Covington and Ryan Coogler
“The Martian,” Drew Goddard
“Room,” Emma Donoghue
“Steve Jobs,” Aaron Sorkin

BEST EDITING
The Big Short
Max Max: Fury Road
The Martian
The Revenant
Spotlight

BEST CINEMATOGRAPHY

“Beasts of No Nation,” Cary Joji Fukunaga
“Carol,” Edward Lachman
“The Hateful Eight,” Robert Richardson
“Max Max: Fury Road,” John Seale
“The Revenant,” Emmanuel Lubezki

BEST ART DIRECTION

Brooklyn
Carol
Cinderella
The Danish Girl
Max Max: Fury Road

BEST VISUAL EFFECTS

Ex Machina
Mad Max: Fury Road
The Martian
The Revenant
The Walk

BEST MUSIC SCORE

“Carol,” Carter Burwell
“The Hateful Eight,” Ennio Morricone
“Inside Out,” Michael Giacchino
“It Follows,” Rich Vreeland (as Disasterpeace)
“Mad Max: Fury Road,” Junkie XL

BEST SOUNDTRACK

Amy
Dope
Love and Mercy
The Martian
Straight Outta Compton

BEST SONG

“See You Again” Furious 7
“Til It Happens to You” The Hunting Ground
“Feels Like Summer” Shaun the Sheep
“Writing’s on the Wall” Spectre
“Simple Song #3” Youth

BEST ANIMATED FEATURE

Anomalisa
The Good Dinosaur
Inside Out
The Peanuts Movie
Shaun the Sheep

BEST COMEDY

Inside Out
Me and Earl and the Dying Girl
Spy
Trainwreck
What We Do in the Shadows

BEST DOCUMENTARY FEATURE

Amy
Best of Enemies
Cartel Land
The Hunting Ground
The Look of Silence

BEST FOREIGN LANGUAGE FILM

The Assassin
Goodnight Mommy
Phoenix
Son of Saul
Wild Tales

BEST SCENE

Creed’s first fight, “Creed”
Paul Walker farewell, “Furious 7”
Bear attack, “The Revenant”
Jack’s escape and rescue, “Room”
Walk between the Twin Towers, “The Walk”

SPECIAL RECOGNITION: Stunt work in “Mad Max: Fury Road”

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Clayton Davis
Clayton Davis--prolific writer and autism awareness advocate of Puerto Rican and Black descent, known for his relentless passion, dedication, and unique aptitude. Over the course of a decade, he has been criticizing both film and television extensively. To date, he has been either featured or quoted in an array of prominent outlets, including but not limited to The New York Times, CNN.com, Variety, Deadline, Los Angeles Times, FOX 5, Bloomberg Television, AOL, Huffington Post, Bloomberg Radio, The Wrap, Slash Film, and the Hollywood Reporter. Growing up in the Bronx, Clayton’s avid interest in the movie world began the moment he first watched "Dead Poets Society” at just five years of age. While he struggled in English class all throughout grade school, he dived head first into writing, ultimately taking those insufficiencies and transforming them into ardent writings pertaining to all things film, television, and most importantly, the Academy Awards. In addition to crafting a collection of short stories that give a voice to films that haven’t made it to the silver screen, Clayton currently serves as the Founding Editor of AwardsCircuit.com. He also holds active voting membership at various esteemed organizations, such as the Broadcast Film Critics Association, Broadcast Television Journalists Association, African-American Film Critics Association, New York Film Critics Online, Black Reel Awards, and International Press Academy. Furthermore, Clayton obtained his B.A. degree in American Studies and Communications.