It’s the time of year when best-of and top-ten lists will be blazing across the internet on various sites, so please forgive me for adding one more log to the fire. The annual breakthrough performances list has become my favorite post of the year – now in its seventh overall installment (fourth on this site) – and is something I know the rest of the Awards Circuit staff is passionate about, as I found out through assorted conversations and incredibly engaged support with the post itself. So I’ll start with a big thank you to the nine staff writers who contributed to this post, for their time, talent, and opinions: thanks for helping me keep this fun tradition going strong.
Over the years, I’ve learned that everyone has a different take on what a “breakthrough” truly is. So, as a bit of a disclaimer, I’ve felt the need to annually include the following statement so that we can all be on the same page for what this particular list is all about:
What technically makes for a “breakthrough” performance? Is it someone who comes out of nowhere and stars in a few films, becoming more identifiable to the public eye? Is it someone who has been around for a long time but finally nails that one major role that catapults them from supporting player to leading man/lady? For the purpose of this post, I’m looking at both. I don’t believe you have to be new to the screen to have a breakthrough year. Sometimes you have to work from the bottom up.
Also, this list isn’t solely looking at the best performances of the year, as it pertains to breakthrough stars; it also is my projection of whose star will shine the brightest moving forward.
A new debate we had this year was whether to include people who have appeared on these lists in the past. We understand that there is a breakthrough (people following our site closely know the actor at this level), and then there is a BREAKTHROUGH! (where the general public now knows who they are). Think Rosamund Pike, who made the list in 2009 for An Education. You and I knew who she was then, but the rest of the world found out last year when she exploded in Gone Girl.
While it was tempting to include past finalists on this list who may have exploded to an even greater extent this year – think: Alicia Vikander (Ex Machina, The Danish Girl, The Man From U.N.C.L.E.) – we’ve ultimately decided to take pride in where we placed them in the past, and claim the “I told you so” bragging rights of calling those future stars in advance of their ultimate success. So you will not find Vikander here, as she ranked #3 on my list way back in 2012. You will not find Brie Larson (Room) either, as she was actually my #1 breakthrough star of 2013. Creed’s Michael B. Jordan and Tessa Thompson are also to be found on the 2013 and 2014 lists, respectively, and will not be found here.
If you are interested in who made the list in year’s past, start with 2014’s archive here.
First up are a couple honorable mentions that we couldn’t pass on recognizing.
The child actors of 2015
As a general rule, we tend to grade child performances on a curve. In 2015 however, that wasn’t necessary in a number of cases. Specifically with the stunning work of Abraham Attah in Beasts of No Nation and Jacob Tremblay in Room; they did things I’ve never seen children asked to do on film before. Throw in the impressive work from Raffey Cassidy (just as strong as Britt Robertson – her Tomorrowland co-star and fellow breakthrough honoree) and it’s been a damn fine year for child performances. Attah and Tremblay both have been mentioned during the awards season, with the latter still a potential Best Supporting Actor nominee at the Oscars, while Cassidy has really caught our attention and set herself up for a nice little career. With Attah, he displayed the loss of humanity and the plague of violence set upon a young boy with heartbreaking realism. Tremblay broke our hearts as well, but lifted us up in the end by outstandingly depicting the act of seeing the world with new eyes. Cassidy was no slouch herself, combining the mannerisms of a robot with that of a loving girl. Less showy? Perhaps. But no less complex and worthy of acclaim. The three young actors put forward as impressive a slate of child performances as I can remember in any previous years. It’ll be quite exciting to see what they do next!
Abraham Attah will next be seen in the short film Out of the Village. Jacob Tremblay has four films slated for a 2016 release, including the spring horror film Before I Wake. Raffey Cassidy does not yet have anything on the table (per IMDB), but we’re sure that will change quickly. – Joey Magidson
The girls of Tangerine (Kitana Kiki Rodriguez and Mya Taylor)
On the one hand, Tangerine is the kind of film that you want to hold over your head, Simba-style, and sing a la The Lion King‘s announcement to the masses. What it symbolizes is something of a ribbon-cutter for the movie industry: director Sean Baker worked with fellow cinematographer Radium Cheung and shot his latest film entirely on three iPhone 5s smartphones, each mounted to a Steadicam rig, an anamorphic clip-on lens and an $8 app called Filmic Pro.
That’s it. Now ask yourself what are you doing with your spare time and spare change?
In all seriousness, this is not some throwaway little indie movie. Tangerine also is groundbreaking in another way. The film casts two transgender black women, in the leading roles of Sin-Dee Rella and Alexandra (Rodriguez, Taylor), portraying two transgender prostitutes who are attempting to locate their pimp’s girlfriend on an inordinately sunny and hot Christmas Eve day.
For those seeking polish in their acting, you’re probably going to want to bite your lip. The work of Rodriguez and Taylor is rough, engaging, the chemistry undeniable, and we simply cannot take our eyes off of them. Their rapid-fire banter and timing in the delivery is a sight to behold. And while I would not say that Sin-Dee and Alexandra are the nicest people you will ever meet, the actresses give them heft and a power that leaps off the screen.
Sin-Dee and Alexandra may bicker, cut deep verbally, and seem to exist in a love-hate relationship with one another and their lot in life, but they also forge a bond that makes Tangerine something kind of special. And not special because these are actual transgender women, or even transgender actresses portraying transgender sex workers, but because they represent new faces and personas that have been largely absent from the cinematic big screen.
Tangerine reminds us that art should be a reflection of the world we live in and no matter how it was created or what it depicts or does not depict, Baker’s film adds a square or two to the quilt of American cinematic storytelling. Time will be the ultimate determinant on how groundbreaking Baker’s film happens to be. For now, and for those who give this a chance, we should celebrate how bold and confident a film this is and applaud the ease with which two new performers glide into their feature film debut, embracing fearlessness every step of the way. – Michael Ward
Before we begin, here are a few other rising stars that will probably show up here in the next couple years:
Shameik Moore – Dope
Lola Kirke – Mistress America
Maika Monroe – It Follows
Dakota Johnson – Fifty Shades of Grey; Black Mass
Without further ado, the list: