Working through the early announcements to now, and finally seeing the result of Zack Snyder’s “Batman v. Superman: Dawn of Justice” has been like going through the seven stages of grief and loss. With the film’s challenging flaws to overcome, there’s some exciting and pulse-pounding moments to admire greatly. Let’s work through it:
Step 1 – “Shock and Denial”
Full disclosure. I like superhero movies, and have been mostly entertained by the genre in general. Marvel has perpetuated a formula that has worked immensely to their benefit and DC has been chasing the similar pattern for years now. With “Man of Steel” and now, “Batman v. Superman,” they’ve crammed an entire Phase 1 into two movies. How successful do they expect this to be? Are they banking on enough character development to excite the world for an entire cinematic universe? And then the announcement of casting: Ben Affleck as Batman, Jesse Eisenberg as Lex Luthor, Jeremy Irons as Alfred? They were moving in a new direction that was far removed from the iconic Christopher Nolan Batman films, and with Zack Snyder at the helm, what would the final result look like? Snyder…the same guy behind “Watchmen” and “Sucker Punch.” Keep that in mind. I want someone to walk into this editing room and break his “slow mo” button immediately.
Step 2 – “Pain and Guilt”
The first hour of #BvS packs in so much and moves like freight train. It’s so terrifically paced, capturing the tension and build up to en eventual match between the Caped Crusader and the Son of Krypton. David Brenner‘s editing is staggeringly efficient while Larry Fong’s cinematography moves Snyder’s painful aesthetics, which he’s demonstrated in previous “superhero” films, to a more palpable and satisfying culture. Towards the end of the first hour, I can recall saying to myself, this could be up there with “The Dark Knight.” I couldn’t believe how far my expectations were being removed from the finished product.
Step 3 – “Anger and Bargaining”
Oscar-winning Chris Terrio, along with David S. Goyer get tremendous credit for building up the characters in a way that “introduces” them to a new generation without actively pleading to the audience, “please go see the rest of our movies.” However, the blatant shoehorn of such characters as WonderWoman, into a fight that logically makes no sense for her to get into, is just plain lazy. Her ambigious nature as she walks the earth as Diana, which if I’m correct, they never even say, keeps her on our minds. Gal Gadot‘s portrayal is nothing revolutionary but she does bring a certain flare to the role that I’m unsure was originally discovered in the script. All I wanted was a female superhero for my daughter to latch onto, in both alter ego and super persona. Wonder Woman fails miserably in the latter. She’s essentially wasted and in the sense that her build up is such a let down, that you can’t help but wonder (no pun intended), what the hell her own spin-off movie is going to look like. And at this point, who cares if they’re going to use her in such a “matter of fact” kind of way. To not spoil anything, but their “cease and desist” of the “fight” is as lazy as saying Curly has a twin and that’s why Jack Palance is in the new City Slickers sequel.
Once the film borders on extreme boredom for about twenty minutes, and they flagrantly attempt to capture an emotional reaction from the audience, the predictable and uninspiring ending bridges us to “Justice League” and many movies to come. We spend a shocking twenty minutes dwelling on a supposed “outcome” that you can see coming from a mile away, with a twist that isn’t a twist at all. How will all this play out down the line against Marvel? Who knows? I do believe general movie goers will enjoy the brunt of this, and find the darkness familiar and comforting, as we’ve all come to expect from DC. Why am I not enjoying these as much as the rest of the world? I adore “The Dark Knight” trilogy and have found love in Marvel’s “Guardians of the Galaxy,” but it’s hard to get invested in the oversaturation of comic book films when they’re becoming so standard with [insert hero here] and [insert villain here].
Step 5 – “The Upward Turn”
One name…Jesse Eisenberg. He dedicates himself to Lex Luthor in a new world that looks as if Mark Zuckerberg decided to end the world. Though his “diabolical plan” is so complicated and at times, so mousy and inarticulate, Eisenberg elevates himself as one of the better superhero villains portrayed in the last few years. He’s ambitious, with a flare for the theatrics, though on one or two occasions, he does go overboard. In many ways, he’s the savior of the script. From a technical standpoint, once again composer Junkie XL, teamed up with Hans Zimmer, demonstrate killer chords and music to become their own spotlight for the world to behold. While the score is sensational, the sound work is another monster altogether and one that is great to experience on the biggest screen possible.
Step 6 – “Reconstruction and Working Through”
Ben Affleck as Bruce Wayne/Batman worked very well. Pleasantly surprised and happy with what he brought to the role. Though the cheesy dialogue can impede him beyond recognition at times, Affleck mostly falls into the role with ease. Henry Cavill‘s Superman/Clark Kent is as standard as they come. Nothing overtly atrocious but nothing particularly engaging. Amy Adams as Lois Lane is on Rachel Dawes-type annoyance at this point. There’s no reason for her to be so involved in the plot/set pieces, and it’s now in a way that is very distracting. And putting her in a bathtub naked doesn’t get us “more invested” in her poorly written arc either Zack Snyder! Our villain Doomsday is as one note as they come while his fight sequences with one half of the Justice League is slightly more invigorating.
Step 7 – “Acceptance and Hope”
Rumors have flown around for months that there is a more acceptable and pleasing three-hour cut that is Rated R. Likely many of the gaps are filled in for us there but with what was shown, and will be shown to audiences, is not something that is satisfying enough to power through. The “new additions” and “surprises” are a beacon of hope in the DC Universe and something that the whole fanboy community can anxiously await. “Batman v. Superman: Dawn of Justice” will have its admirers, others will relinquish in the fact that yet again, the superhero genre is not challenging itself to be better than what is expected of them. Either go full grit or no grit at all. The in-between will give you #BvS.
“Batman v. Superman: Dawn of Justice” opens in theaters on Friday.