Circuit Breaker Episode 24: Guilds, In Line, and the New Oscar Frontrunner

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Welcome to the Awards Circuit podcast titled “CIRCUIT BREAKER!,” a weekly podcast from AwardsCircuit.com featuring host Clayton Davis along with panelists Sam Coffey, Mark Johnson and Joey Magidson. We discuss movies, television and all the awards shows that need predicting. New episodes are released every Monday. Find us on Twitter at @Circuit_Pod, email us at podcast@awardscircuit.com, and submit your comments and questions at the bottom of the episode.

On the agenda:

  • After the announcement of the Awards Circuit In Line Series, we talk a little about those listed and where we see them going.
  • Some of the major guilds announce this week and we comb through a few of them including Writers Guild of America.
  • Is “Manchester by the Sea” the new frontrunner? Can “Moonlight” do what “Brokeback Mountain” failed to do? Does the “La La Land” SAG Ensemble snub really mean anything?

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"Fences" - Opens in theaters on Christmas Day

“Fences” – Opens in theaters on Christmas Day

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About Clayton Davis

Clayton Davis is the esteemed Editor and Owner of AwardsCircuit.com. Born in Bronx, NY to a Puerto Rican mother and Black father, he’s been criticizing film and television for over a decade. Clayton is a member of the Broadcast Film Critics Association where he votes and attends the kick off to the awards season, the Critics Choice Awards. He's also an active member of New York Film Critics Online, International Press Academy, Black Reel Awards, and the Broadcast Television Journalists Association.Clayton has been quoted and appeared in various outlets that include the New York Times, CNN.com, Variety, Deadline, Los Angeles Times, Bloomberg Television, AOL, Huffington Post, Bloomberg Radio, The Wrap, Slash Film, and the Hollywood Reporter.
  • Luke McGowan

    Thanks for the in depth discussion, and I understand what you mean about lists shaping and responding now, but I stand by the argument that Gleeson is far more due than Krasinski, his son or Jack O’Connell. Why doesn’t Gleeson get to be Stanley Tucci? You might not notice but it’s hard to deny Gleesons making all the right decisions and is growing towards it since In Bruges and his Emmy winning portrayal of Winston Churchill. He’s doing lead roles in critically acclaimed indies whilst increasing his supporting presence in Oscar bait roles like Live By Night and Suffragette. He was Globe nominated for The Guard and won a few awards for Calvary, which is as much as O’Connell can say and more than Krasinski can.

  • Phill Milner

    I don’t think Denis gets into director. I also don’t think Arrival is getting into picture either. It doesn’t seem like the kind of movie the academy will go for. I think Hacksaw Ridge is the number 4 movie and Gibson is gonna get into director.

    • Phill Milner

      Its Moonlight, LaLa Land, Manchester, Hacksaw Ridge, Fences, Hell or High Water… I have Arrival at 9 behind… I think only 6 or 7 gets the nod this year.

  • Joey Magidson

    Enjoy!

  • Tee

    There is no theater in my state that is showing La La Land or Silence, and didn’t show Moonlight, Jackie, or Moonlight. I’ll have to wait for DVD’s for all of them, so I want to hear no complaining!

  • Mike

    Topic for discussion for Awards Circuit staff: Do you think after two years of “Oscar so White” that race will influence this year’s nominations and winners? Is this where Moonlight, Fences, and Hidden Figures come out strong? Will guilds take this in account?

    This could be the first time in Oscar history where there is an African American nominee in all four acting categories, two potential director nominees,and at least one for producing and writing. It can even extend to craft with Bradford Young being nominated for Arrival.

  • Cornelius Buttersby

    If any movie should’ve been pushed back, it should’ve been 20th Century Women. That film has been buggered by its late release, but it could’ve been a sure fire actress winner, supporting actress nominee and even a best picture player if it had time to settle as the gentle nostalgic charm-bomb of the year.

  • Iso Ns

    Two questions for the next podcast:
    1)If this year we have 8 best picture noms, which films do you think will get the 7th and 8th slot. I think Hacksaw is safe, but I’m contemplating between Lion, Jackie, Hidden Figures for 8th slot.

    2)Do you think that Billy Lynn’s has a chance to get nominated for Sound Editing?