The 71st Cannes Film Festival is gearing up and the lineup announced has us as excited as ever as new films from Spike Lee, Asghar Farhadi, and Jean-Luc Godard will make an appearance.

In terms of an Oscar jump off, many films have found success out of Cannes including “The Tree of Life” and the Oscar-winning “No Country for Old Men.”  In terms of anticipation, “Everybody Knows” from Farhadi and “BlacKKKlansman” from Lee are the two high-profile films with the best chance at awards success.  For the more laid back awards enthusiasts, we’re anxiously awaiting the drop of “Under the Silver Lake” from David Robert Mitchell, who gave us the modern horror classic “It Follows.”

Out of Competition selections include the premiere of “Solo: A Star Wars Story” while in the Un Certain Regard we’re getting a look at the sophomore directorial effort from Valeria Golino, who you may know best as the beautiful love interest to Charlie Sheen’s chicken-bow-and-arrow-Rambo-wannabe in “Hot Shots.”

The Cannes Film Festival begins on Tuesday, May 8 until Saturday, May 19.  Academy Award winner Cate Blanchett (“Blue Jasmine,” “The Aviator”) will serve as the president of the main competition jury while Academy Award winner Benicio del Toro (“Traffic”) will be heading the Un Certain Regard.


“Everybody Knows,” Asghar Farhadi (opening night)
“En Guerre (At War),” Stephane Brize
“Dogman,” Matteo Garrone
“Le Livre d’Image,” Jean-Luc Godard
“Netemo Sametemo (Asako I & II), Ryusuke Hamaguchi
“Plaire Aimer et Courir Vite (Sorry Angel),” Christophe Honore
“Les Filles du Soleil (Girls of the Sun),” Eva Husson
“Ash Is Purest White,” Jia Zhang-Ke
“Shoplifters,” Kore-Eda Hirokazu
“Capharnaum,” Nadine Labaki
“Buh-Ning (Burning),” Lee Chang-Dong
“BlacKKKlansman,” Spike Lee
“Under the Silver Lake,” David Robert Mitchell
“Three Faces,” Jafar Panahi
“Zimna Wojna (Cold War),” Pawel Pawlikowski
“Lazzaro Felice,” Alice Rohrwacher
“Yomeddine,” A.B. Shawky
“Leto,” Kirill Serebrennikov

“Solo: A Star Wars Story,” Ron Howard
“Le Grand Bain,” Gilles Lelouche

“Ten Years in Thailand,” Aditya Assarat, Wisit Sasanatieng, Chulayarnon Sriphol and Apichatpong Weerasthakul
“The State Against Mandela and the Others,” Nicolas Champeaux & Gilles Porte
“A Touts Vents (To the Four Winds),” Michel Toesca
“La Traversee,” Romain Goupil
“O Grande Circ Mistico,” Carlo Diegues
“Pope Francis – A Man of His Word,” Wim Wenders
“Les Ames Mortes (Dead Souls),” Wang Bing
“Arctic,” Joe Penna
“Gongjak (The Spy Gone North),” Yoon Jong-Bing

“Long Day’s Journey Into Night,” Bi Gan
“Les Chatouilles (Little Tickles),” Andrea Bescond & Eric Metayer
“Sofia,” Meyem Benm’Barek
“Grans (Border),” Ali Abbasi
“Guele d’Ange (Angel Face),” Vanessa Filho
“Girl,” Lukas Dhont
“A Genoux les Gars (Sextape),” Antoine Desrosieres
“Manto,” Nandita Das
“Mon Tissu Prefere (My Favorite Fabric),” Gaya Jiji
“Euphoria,” Valeria Golino
“Rafiki (Friend),” Wanuri Kahiu
“Die Stropers (The Harvesters),” Etienne Kallos
“In My Room,” Ulrich Kohler
“El Angel,” Luis Ortega
“The Gentle Indifference of the World,” Adilkhan Yerzhanov

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Clayton Davis--prolific writer and autism awareness advocate of Puerto Rican and Black descent, known for his relentless passion, dedication, and unique aptitude. Over the course of a decade, he has been criticizing both film and television extensively. To date, he has been either featured or quoted in an array of prominent outlets, including but not limited to The New York Times,, Variety, Deadline, Los Angeles Times, FOX 5, Bloomberg Television, AOL, Huffington Post, Bloomberg Radio, The Wrap, Slash Film, and the Hollywood Reporter. Growing up in the Bronx, Clayton’s avid interest in the movie world began the moment he first watched "Dead Poets Society” at just five years of age. While he struggled in English class all throughout grade school, he dived head first into writing, ultimately taking those insufficiencies and transforming them into ardent writings pertaining to all things film, television, and most importantly, the Academy Awards. In addition to crafting a collection of short stories that give a voice to films that haven’t made it to the silver screen, Clayton currently serves as the Founding Editor of He also holds active voting membership at various esteemed organizations, such as the Broadcast Film Critics Association, Broadcast Television Journalists Association, African-American Film Critics Association, New York Film Critics Online, Black Reel Awards, and International Press Academy. Furthermore, Clayton obtained his B.A. degree in American Studies and Communications.