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Big Openings: May 2, 2008
By Myles Hughes

Iron Man officially kicks off Hollywood summer season

Hello movie lovers, and welcome to the inaugural episode of Myles’s Big Openings, where I’m going to take it upon myself to fill you in on this week’s batch of new film releases, as well as what the critics are saying, what the Oscar potential could be, and what to look forward to. And now, without further ado, let’s start this week’s releases.

IRON MAN
Starring: Robert Downey, Jr., Terrence Howard, Jeff Bridges, and Gwyneth Paltrow

Synopsis: A billionaire weapons designer is captured by insurgents on a routine trip to Afghanistan and is forced to build a suit of armor to escape. Returning home a reformed man, he sets to work on creating a more powerful version of the suit to protect the world from the kind of carnage he originally helped to create. Based on the Marvel comic book.

Critics: Not since Spider-Man or Batman Begins has a superhero origin story received this warm a reception. Though they admit that it doesn’t quite have the zing of those former films, it is still miles ahead of most other comic adaptations. Director Jon Favreau keeps things moving at a slick pace, the visual effects and action sequences (with one exception) are solid, and the actors are all at the top of their game (except for an underused Terrence Howard, whose character is clearly being set up for the sequel). Despite a few minor flaws, they agree it will leave you waiting eagerly for the next installment.

Oscar Potential: I think the most obvious early pick here would be for Best Visual Effects (a la Transformers and Spider-Man, both previous nominees with similar styles). Sound Mixing and Sound Editing seem like safe early bets, although the early release may keep it from remaining at the front of the pack for long. Also worth mentioning is the highly praised performance of Downey, Jr., who will not be nominated for this film, but whose raised profile over the summer (between this film and the upcoming Tropic Thunder) may serve to push for a nomination for the more Oscar-friendly The Soloist later this year.

Verdict: The summer blockbuster season has begun with a bang. If you like action, superhero movies, and/or great performances, this will be one to check out.

MADE OF HONOR
Starring: Patrick Dempsey, Michelle Monaghan, Kevin McKidd, and Sydney Pollack

Synopsis: A womanizing bachelor finally discovers that he is in love with his best friend, just in time for her to reveal that she’s been engaged. He agrees to be her maid of honor, with the hopes of sabotaging the wedding from within to win her for him.

Critics: Essentially positioned as a vehicle for Patrick Dempsey to move from “Grey’s Anatomy” into the film business proper, critics are labeling this chick-flick as exactly that: predictable, unrealistic, and uninspired. There has been some praise as to some occasional moments of genuine humor, as well as the decent chemistry between Dempsey and Monaghan. For the most part, however, this rom-com from a guy’s perspective does not appear to break much new ground.

Oscar Potential: None.

Verdict: If you’re in love with Patrick Dempsey, then you’ve already made up your mind about whether to see this film or not. If you’re into romantic comedies, Made of Honor looks to be a completely serviceable date movie, but little more.

REDBELT
Starring: Chiwetel Ejiofor, Emily Mortimer, Alice Braga, Tim Allen, and Joe Mantegna


Synopsis: A jujitsu instructor who follows a samurai’s code of honor is forced to compete when confronted with rising debt, a neurotic lawyer, scheming fight promoters, and an aging movie star.

Critics: As with most of writer/director David Mamet’s work, the verdict here seems to be interpretive: you either go for it or you don’t. Supporters have praised the powerhouse performance of Chiwetel Ejiofor and the impressive supporting cast, as well as some well orchestrated fight sequences and moments of dramatic intensity. Detractors have criticized the implausibility of some scenes and the semi-awkward pacing.

Oscar Potential:
Chiwetel Ejiofor has always been an actor to look out for, and the level of praise surrounding his latest performance might be laying the groundwork for a potential Best Actor nomination. The film’s earlyish release will likely dash those chances, but at this point in the year there’s no reason to rule him out quite yet.

Verdict: This is the kind of movie where you really have to make your own mind, since the critics are somewhat divisive. My personal observation is that it’s an acquired taste, but if you like Mamet’s previous films, this one should be worth a look. The film opens in New York and L.A. this week, and expands next week.

SON OF RAMBOW
Starring: Will Poulter, Bill Milner, Jules Sitruck, and Jessica Stevenson


Synopsis: In 1980s Britain, two young kids set out to film a sequel to Rambo: First Blood after witnessing a pirated copy of the original movie.

Critics: After receiving rave audience reactions at last year’s Sundance, the critics are all too happy to partake in the charming silliness on display in this picture. Though actual reactions so far have been mixed (some claim it as overly nostalgic and poorly structured), most agree that there is genuine delight to be had in following the antics of the two young stars, who are said to have great chemistry and screen presence.

Oscar Potential: Indie Spirit Awards are certainly possible, but the picture’s Oscar chances are zilch.

Verdict: If you want to see a sweet, innocent little story in which you can travel back to the ‘80s and just have a good time, you won’t likely go wrong here. The film opens this weekend in limited release.

FUGITIVE PIECES
Starring: Stephen Dillane, Rade Sherbedgia, and Rosamund Pike


Synopsis: A successful writer, who, as a child, survived the Nazi occupation of Poland, is haunted by his past, following the execution of his family and his rescue by a kind Greek archaeologist.

Critics: Though we have undoubtedly seen more than enough World War II survival stories to last a lifetime in modern cinema, critics thus far seem to agree that this latest entry, though somewhat self-conscious, is a strong addition to the roster. Strong performances from Stephen Dillane and Rade Sherbedgia have received particular praise, and the story is said to have some lasting potency.

Oscar Potential: Rade Sherbedgia won Best Actor at the Rome Film Festival, but there’s little chance of a foreign name in a poorly marketed May release to make it all the way through Oscar season.

Verdict: The film will be trickling into theatres in limited release, but if you get a chance to see it, and you’re a fan of such films as The Pianist and Schindler’s List, then this might be worth checking out.

Also worth checking out if you haven’t already:

Forgetting Sarah Marshall – Judd Apatow’s latest comedy about a guy who gets dumped, then runs into his ex while attempting to vacation in Hawaii.

The Visitor – Playing in limited release, stars Richard Jenkins as an isolated college professor who discovers himself when he helps two illegal immigrants.

Young @ Heart – A documentary following a group of senior citizens who go cross country singing everything from rock and punk to R&B.

Coming soon:

The Chronicles of Narnia: Prince Caspian – A mere two weeks after Iron Man’s release, a new Best Visual Effects contender steps into the ring. Can it compare with its predecessor (which also received a nod in this category)?

Savage Grace – This festival hopper, based on a chilling true story, was at one point last year drawing attention for Julianne Moore to receive a Best Actress nomination; that is, until the release was delayed until this May. Could her performance merit enough attention to rebuild that buzz this year?

Mongol – The biopic of Genghis Khan was nominated for Best Foreign Language Film last year. Did it deserve to be trumped by The Counterfeiters? You be the judge.
 

So far, unless it turns out to be a major dud (unlikely), I see no reason why we shouldn’t already consider Pixar’s latest to be a virtual shoe-in for a Best Animated Film nomination even months before its release.

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