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	<title>Comments for The Awards Circuit - By Clayton Davis - Academy Award Predictions, Oscars, Emmys, Grammys, Golden Globes, SAG Predictions All Year Long</title>
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	<link>http://www.awardscircuit.com</link>
	<description>By Clayton Davis - Home for Academy Awards, Oscars, and all other award shows</description>
	<lastBuildDate>Thu, 23 Feb 2012 09:21:16 +0000</lastBuildDate>
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		<title>Comment on Oscar 2012 Will Win/Should Win Selections (Hamer) by billdale</title>
		<link>http://www.awardscircuit.com/2012/02/22/oscar-2012-will-winshould-win-selections-hamer/#comment-8506</link>
		<dc:creator>billdale</dc:creator>
		<pubDate>Thu, 23 Feb 2012 09:21:16 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=13884#comment-8506</guid>
		<description>You are being ironic, right? A very short novel and an acknowledged masterpiece of efficient, accessible prose? My god, what are you putting it up against for this critique?!?</description>
		<content:encoded><![CDATA[<p>You are being ironic, right? A very short novel and an acknowledged masterpiece of efficient, accessible prose? My god, what are you putting it up against for this critique?!?</p>
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		<title>Comment on Oscar 2012 Will Win/Should Win Selections (Hamer) by billdale</title>
		<link>http://www.awardscircuit.com/2012/02/22/oscar-2012-will-winshould-win-selections-hamer/#comment-8505</link>
		<dc:creator>billdale</dc:creator>
		<pubDate>Thu, 23 Feb 2012 09:17:32 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=13884#comment-8505</guid>
		<description>Spot on again with BAFTA! They could have given Oldman the statue in an obviously light-weight year and no-one would have raised an eyebrow. But they seem achingly over-protective of their still-new precursor role. And I got the feeling that they were garlanding Octavia Spencer because they felt it was expected of them - many better-reviewed performances over here in her category.</description>
		<content:encoded><![CDATA[<p>Spot on again with BAFTA! They could have given Oldman the statue in an obviously light-weight year and no-one would have raised an eyebrow. But they seem achingly over-protective of their still-new precursor role. And I got the feeling that they were garlanding Octavia Spencer because they felt it was expected of them &#8211; many better-reviewed performances over here in her category.</p>
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		<title>Comment on Oscar 2012 Will Win/Should Win Selections (Hamer) by billdale</title>
		<link>http://www.awardscircuit.com/2012/02/22/oscar-2012-will-winshould-win-selections-hamer/#comment-8504</link>
		<dc:creator>billdale</dc:creator>
		<pubDate>Thu, 23 Feb 2012 09:08:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=13884#comment-8504</guid>
		<description>I think your analysis overall is fascinating and full of perceptive insight we don&#039;t get elsewhere. But I disagree on McCarthy - there&#039;s an &#039;Emperor&#039;s New Clothes&#039; feel with this, I can&#039;t help thinking people will start looking back and conclude, fun - yes, watchable - yes, scene-stealing - for sure, but great acting? - not for me. It was barely acting - terribly uneven, striving purely for over-the-top without grounding in any convincing characterisation. You CAN be deliciously over-the-top and still convincing (eg. Kline in &#039;Fish Called Wanda&#039;).
I&#039;m all for recognising all-out comedy performances - I think this is many people&#039;s end game with McCarthy - I just don&#039;t think hers is a particularly good example of the type. But maybe I am jaundiced in that I found most of the characters and set-ups in the film obvious and cliched, albeit generally well done?</description>
		<content:encoded><![CDATA[<p>I think your analysis overall is fascinating and full of perceptive insight we don&#8217;t get elsewhere. But I disagree on McCarthy &#8211; there&#8217;s an &#8216;Emperor&#8217;s New Clothes&#8217; feel with this, I can&#8217;t help thinking people will start looking back and conclude, fun &#8211; yes, watchable &#8211; yes, scene-stealing &#8211; for sure, but great acting? &#8211; not for me. It was barely acting &#8211; terribly uneven, striving purely for over-the-top without grounding in any convincing characterisation. You CAN be deliciously over-the-top and still convincing (eg. Kline in &#8216;Fish Called Wanda&#8217;).<br />
I&#8217;m all for recognising all-out comedy performances &#8211; I think this is many people&#8217;s end game with McCarthy &#8211; I just don&#8217;t think hers is a particularly good example of the type. But maybe I am jaundiced in that I found most of the characters and set-ups in the film obvious and cliched, albeit generally well done?</p>
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		<title>Comment on Oscar 2012 Will Win/Should Win Selections (Hamer) by Massimo</title>
		<link>http://www.awardscircuit.com/2012/02/22/oscar-2012-will-winshould-win-selections-hamer/#comment-8502</link>
		<dc:creator>Massimo</dc:creator>
		<pubDate>Thu, 23 Feb 2012 08:34:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=13884#comment-8502</guid>
		<description>Of the non nominated i&#039;d go with Brad Pitt in tree of life or John Hawkes in martha marcy may marlene. 

As for the nominated, Nolte or von Sydow would be just fine with me. And yes i know your thoughts on Nolte&#039; performance so i&#039;ll just speak about von Sydow. Its a nuance performance. I thought he conveyed so much through his yes/no hand responses, body language and what he wrote on the notepad. Did his reactions to the answering machine messages not do anything for you? An since you were left &quot;uninspired&quot; maybe you should give the film a second viewing.</description>
		<content:encoded><![CDATA[<p>Of the non nominated i&#8217;d go with Brad Pitt in tree of life or John Hawkes in martha marcy may marlene. </p>
<p>As for the nominated, Nolte or von Sydow would be just fine with me. And yes i know your thoughts on Nolte&#8217; performance so i&#8217;ll just speak about von Sydow. Its a nuance performance. I thought he conveyed so much through his yes/no hand responses, body language and what he wrote on the notepad. Did his reactions to the answering machine messages not do anything for you? An since you were left &#8220;uninspired&#8221; maybe you should give the film a second viewing.</p>
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		<title>Comment on Oscar 2012 Will Win/Should Win Selections (Hamer) by Ryman Lloyd</title>
		<link>http://www.awardscircuit.com/2012/02/22/oscar-2012-will-winshould-win-selections-hamer/#comment-8499</link>
		<dc:creator>Ryman Lloyd</dc:creator>
		<pubDate>Thu, 23 Feb 2012 07:55:28 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=13884#comment-8499</guid>
		<description>What a &quot;Shame&quot;. Eric Roth is my favorite among all of them knowing he wrote some of my favorite movies ever like Forrest Gump (the BEST movie of all time), The Insider, The Curious Case of Benjamin Button, Extremely loud and incredibly Close (a well deserving nominee), and Munich. I sometimes hate that we have different opinions knowing I hated certain movies you enjoy like Beginners, Tinker Tailor Soldier Snorefest, The Artist, and Rango. Anyways, better luck next year.</description>
		<content:encoded><![CDATA[<p>What a &#8220;Shame&#8221;. Eric Roth is my favorite among all of them knowing he wrote some of my favorite movies ever like Forrest Gump (the BEST movie of all time), The Insider, The Curious Case of Benjamin Button, Extremely loud and incredibly Close (a well deserving nominee), and Munich. I sometimes hate that we have different opinions knowing I hated certain movies you enjoy like Beginners, Tinker Tailor Soldier Snorefest, The Artist, and Rango. Anyways, better luck next year.</p>
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		<title>Comment on Which Scenes from 2011 will you remember? by Jason Kline</title>
		<link>http://www.awardscircuit.com/2012/02/18/which-scenes-from-2011-will-you-remember/#comment-8496</link>
		<dc:creator>Jason Kline</dc:creator>
		<pubDate>Thu, 23 Feb 2012 07:21:25 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=11698#comment-8496</guid>
		<description>Oh, and sorry for the typos. I usually re-read what I typed, but I spaced and forgot I can&#039;t go back and edit my comments like on some other sites I go to.</description>
		<content:encoded><![CDATA[<p>Oh, and sorry for the typos. I usually re-read what I typed, but I spaced and forgot I can&#8217;t go back and edit my comments like on some other sites I go to.</p>
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		<title>Comment on Oscar 2012 Will Win/Should Win Selections (Hamer) by Robert Hamer</title>
		<link>http://www.awardscircuit.com/2012/02/22/oscar-2012-will-winshould-win-selections-hamer/#comment-8495</link>
		<dc:creator>Robert Hamer</dc:creator>
		<pubDate>Thu, 23 Feb 2012 07:20:05 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=13884#comment-8495</guid>
		<description>By the way, I should also just say that it&#039;s been so long since I&#039;ve seen Traffic I&#039;m not even 100% on *that* Oscar win anymore.  Though I can&#039;t imagine cooling on the genius of Del Toro&#039;s performance in that film, give me a chance to finally revisit The Contender or Shaft or Thirteen Days and my &quot;Hamer Award&quot; might change...but that&#039;s a conversation for when we launch ACCA 2000.</description>
		<content:encoded><![CDATA[<p>By the way, I should also just say that it&#8217;s been so long since I&#8217;ve seen Traffic I&#8217;m not even 100% on *that* Oscar win anymore.  Though I can&#8217;t imagine cooling on the genius of Del Toro&#8217;s performance in that film, give me a chance to finally revisit The Contender or Shaft or Thirteen Days and my &#8220;Hamer Award&#8221; might change&#8230;but that&#8217;s a conversation for when we launch ACCA 2000.</p>
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		<title>Comment on Which Scenes from 2011 will you remember? by Jason Kline</title>
		<link>http://www.awardscircuit.com/2012/02/18/which-scenes-from-2011-will-you-remember/#comment-8494</link>
		<dc:creator>Jason Kline</dc:creator>
		<pubDate>Thu, 23 Feb 2012 07:17:31 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=11698#comment-8494</guid>
		<description>UBourgeois, regarding your last one, doesn&#039;t that defeat the purpose of the article then? If you can&#039;t remember a scene from a movie, then it obviously isn&#039;t memorable enough to be on a &quot;Which scenes will you remmeber&quot; list and if you can&#039;t remember it now, then the chance of it sticking with you years down the road is pretty slim. I&#039;m not trying to be call you out or be rude, I just found it humorous that you put something you don&#039;t remember on a list of your most memoryable scenes. It&#039;s like listing your favorite movies but not remembering the name of one of them. Just kind of an oxymoron of sorts I guess. Personally, if there is one scene I will remember from Beginners, it will be the scene where McGregor is talking to his dog in the hall and his dog tells him how Anna is unlike any girl he&#039;s ever met and asks if they are married now. I loved all the scenes where he&#039;s talking to the dog and the dog talks back. It totally made the movie for me and really set the tone of the movie as a quaint little indie flick. It wasn&#039;t the best movie out there, but I definitely enjoyed the originality of it.</description>
		<content:encoded><![CDATA[<p>UBourgeois, regarding your last one, doesn&#8217;t that defeat the purpose of the article then? If you can&#8217;t remember a scene from a movie, then it obviously isn&#8217;t memorable enough to be on a &#8220;Which scenes will you remmeber&#8221; list and if you can&#8217;t remember it now, then the chance of it sticking with you years down the road is pretty slim. I&#8217;m not trying to be call you out or be rude, I just found it humorous that you put something you don&#8217;t remember on a list of your most memoryable scenes. It&#8217;s like listing your favorite movies but not remembering the name of one of them. Just kind of an oxymoron of sorts I guess. Personally, if there is one scene I will remember from Beginners, it will be the scene where McGregor is talking to his dog in the hall and his dog tells him how Anna is unlike any girl he&#8217;s ever met and asks if they are married now. I loved all the scenes where he&#8217;s talking to the dog and the dog talks back. It totally made the movie for me and really set the tone of the movie as a quaint little indie flick. It wasn&#8217;t the best movie out there, but I definitely enjoyed the originality of it.</p>
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		<title>Comment on The Greatest First Quarter Releases! by Holden</title>
		<link>http://www.awardscircuit.com/2012/02/21/the-greatest-first-quarter-releases/#comment-8493</link>
		<dc:creator>Holden</dc:creator>
		<pubDate>Thu, 23 Feb 2012 07:02:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=13612#comment-8493</guid>
		<description>Something interesting about Dr. Strangelove is that it was scheduled to be released around November 22 of 1963. Post Kennedy assassination, Kubrick then rescheduled the release, as it was feared that President Muffley would be too reminiscent of JFK. Perhaps the film would have been more successful at that year&#039;s Oscars, had it not been postponed. Not to sound insensitive, but that&#039;s two crimes that Lee Harvey Oswald has on his head.</description>
		<content:encoded><![CDATA[<p>Something interesting about Dr. Strangelove is that it was scheduled to be released around November 22 of 1963. Post Kennedy assassination, Kubrick then rescheduled the release, as it was feared that President Muffley would be too reminiscent of JFK. Perhaps the film would have been more successful at that year&#8217;s Oscars, had it not been postponed. Not to sound insensitive, but that&#8217;s two crimes that Lee Harvey Oswald has on his head.</p>
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		<title>Comment on Oscar Circuit: Best Cinematography by Robert Hamer</title>
		<link>http://www.awardscircuit.com/2012/02/23/oscar-circuit-best-cinematography/#comment-8490</link>
		<dc:creator>Robert Hamer</dc:creator>
		<pubDate>Thu, 23 Feb 2012 06:30:30 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=14199#comment-8490</guid>
		<description>Uh oh, I noticed a typo.  You put down &quot;Creation&quot; instead of &quot;EVERY SCENE.&quot;</description>
		<content:encoded><![CDATA[<p>Uh oh, I noticed a typo.  You put down &#8220;Creation&#8221; instead of &#8220;EVERY SCENE.&#8221;</p>
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		<title>Comment on Oscar 2012 Will Win/Should Win Selections (Hamer) by Robert Hamer</title>
		<link>http://www.awardscircuit.com/2012/02/22/oscar-2012-will-winshould-win-selections-hamer/#comment-8489</link>
		<dc:creator>Robert Hamer</dc:creator>
		<pubDate>Thu, 23 Feb 2012 06:26:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=13884#comment-8489</guid>
		<description>Well, to be fair, I&#039;m only *predicting* HP will win Best Makeup.  I don&#039;t actually think it should win.  But I am once again humbled by such effusive compliments on my writing and analysis.

But if you&#039;ll humor me a further defense of McCarthy, I would actually argue that her performance transcends simple vulgarity by crafting a character that comes off as bold rather than crude (and the &quot;pooped in the sink&quot; quip from me was more prosaic styling than any kind of statement on her work).  She just *attacked* every scene of hers with a kind of emotional conviction reserved for more serious roles, yet neither she nor the film sets out to humiliate what could have easily been &quot;the stupid fat girl.&quot;  In a way, she&#039;s a little bit similar to Hal from Beginners: the kind of vivacious character that has seen and been through too much to let petty things like inhibition get in the way of experiencing all that life has to offer, whether that be adopting nine puppies on the fly, ingratiating herself with the undercover Fire Marshal, or starting a fight club.  Such substantial, specific characterization of the film&#039;s most outrageous bridesmaid culminates in her being the perfect choice to confront Annie&#039;s self-pitying bullshit, and her final monologue takes an unexpected poignancy as a result.</description>
		<content:encoded><![CDATA[<p>Well, to be fair, I&#8217;m only *predicting* HP will win Best Makeup.  I don&#8217;t actually think it should win.  But I am once again humbled by such effusive compliments on my writing and analysis.</p>
<p>But if you&#8217;ll humor me a further defense of McCarthy, I would actually argue that her performance transcends simple vulgarity by crafting a character that comes off as bold rather than crude (and the &#8220;pooped in the sink&#8221; quip from me was more prosaic styling than any kind of statement on her work).  She just *attacked* every scene of hers with a kind of emotional conviction reserved for more serious roles, yet neither she nor the film sets out to humiliate what could have easily been &#8220;the stupid fat girl.&#8221;  In a way, she&#8217;s a little bit similar to Hal from Beginners: the kind of vivacious character that has seen and been through too much to let petty things like inhibition get in the way of experiencing all that life has to offer, whether that be adopting nine puppies on the fly, ingratiating herself with the undercover Fire Marshal, or starting a fight club.  Such substantial, specific characterization of the film&#8217;s most outrageous bridesmaid culminates in her being the perfect choice to confront Annie&#8217;s self-pitying bullshit, and her final monologue takes an unexpected poignancy as a result.</p>
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		<title>Comment on Oscar Circuit: Best Cinematography by Joey Magidson</title>
		<link>http://www.awardscircuit.com/2012/02/23/oscar-circuit-best-cinematography/#comment-8488</link>
		<dc:creator>Joey Magidson</dc:creator>
		<pubDate>Thu, 23 Feb 2012 05:59:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=14199#comment-8488</guid>
		<description>I&#039;m going the same route as you boss...but I could see it going any number of ways.</description>
		<content:encoded><![CDATA[<p>I&#8217;m going the same route as you boss&#8230;but I could see it going any number of ways.</p>
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		<title>Comment on Oscar 2012 Will Win/Should Win Selections (Hamer) by Robert Hamer</title>
		<link>http://www.awardscircuit.com/2012/02/22/oscar-2012-will-winshould-win-selections-hamer/#comment-8487</link>
		<dc:creator>Robert Hamer</dc:creator>
		<pubDate>Thu, 23 Feb 2012 05:57:25 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=13884#comment-8487</guid>
		<description>You are too kind!</description>
		<content:encoded><![CDATA[<p>You are too kind!</p>
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		<title>Comment on Oscar 2012 Will Win/Should Win Selections (Hamer) by Robert Hamer</title>
		<link>http://www.awardscircuit.com/2012/02/22/oscar-2012-will-winshould-win-selections-hamer/#comment-8486</link>
		<dc:creator>Robert Hamer</dc:creator>
		<pubDate>Thu, 23 Feb 2012 05:56:22 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=13884#comment-8486</guid>
		<description>I&#039;m glad to see I&#039;m not alone in how that film touched me.</description>
		<content:encoded><![CDATA[<p>I&#8217;m glad to see I&#8217;m not alone in how that film touched me.</p>
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		<title>Comment on Oscar 2012 Will Win/Should Win Selections (Hamer) by Robert Hamer</title>
		<link>http://www.awardscircuit.com/2012/02/22/oscar-2012-will-winshould-win-selections-hamer/#comment-8485</link>
		<dc:creator>Robert Hamer</dc:creator>
		<pubDate>Thu, 23 Feb 2012 05:55:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=13884#comment-8485</guid>
		<description>I am a fan of Terrence Malick as well, but I don&#039;t think its hyperbolic at all to suggest that his latest was THE most talked-about artistic touchstone of the year.  Yet another similarity to 2001: A Space Odyssey is that whether one loved or hated it, any self-respecting cinephile &quot;has to&quot; have an opinion on that film.

I liked Shimell very much in Certified Copy (and Pitt in The Tree of Life), but not quite enough to make my honor roll.</description>
		<content:encoded><![CDATA[<p>I am a fan of Terrence Malick as well, but I don&#8217;t think its hyperbolic at all to suggest that his latest was THE most talked-about artistic touchstone of the year.  Yet another similarity to 2001: A Space Odyssey is that whether one loved or hated it, any self-respecting cinephile &#8220;has to&#8221; have an opinion on that film.</p>
<p>I liked Shimell very much in Certified Copy (and Pitt in The Tree of Life), but not quite enough to make my honor roll.</p>
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		<title>Comment on Oscar 2012 Will Win/Should Win Selections (Hamer) by Robert Hamer</title>
		<link>http://www.awardscircuit.com/2012/02/22/oscar-2012-will-winshould-win-selections-hamer/#comment-8484</link>
		<dc:creator>Robert Hamer</dc:creator>
		<pubDate>Thu, 23 Feb 2012 05:49:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=13884#comment-8484</guid>
		<description>I have to admit, as much as I enjoyed its tightly-wound, slick 80&#039;s pop bent, I&#039;ve felt increasingly uneasy about my own reaction to Drive.  I definitely have to return to it at some point.</description>
		<content:encoded><![CDATA[<p>I have to admit, as much as I enjoyed its tightly-wound, slick 80&#8242;s pop bent, I&#8217;ve felt increasingly uneasy about my own reaction to Drive.  I definitely have to return to it at some point.</p>
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		<title>Comment on Oscar 2012 Will Win/Should Win Selections (Hamer) by Robert Hamer</title>
		<link>http://www.awardscircuit.com/2012/02/22/oscar-2012-will-winshould-win-selections-hamer/#comment-8483</link>
		<dc:creator>Robert Hamer</dc:creator>
		<pubDate>Thu, 23 Feb 2012 05:47:49 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=13884#comment-8483</guid>
		<description>Absolutely.  You didn&#039;t find him outstanding in Rescue Dawn?</description>
		<content:encoded><![CDATA[<p>Absolutely.  You didn&#8217;t find him outstanding in Rescue Dawn?</p>
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		<title>Comment on Oscar 2012 Will Win/Should Win Selections (Hamer) by Joseph Braverman</title>
		<link>http://www.awardscircuit.com/2012/02/22/oscar-2012-will-winshould-win-selections-hamer/#comment-8476</link>
		<dc:creator>Joseph Braverman</dc:creator>
		<pubDate>Thu, 23 Feb 2012 05:33:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=13884#comment-8476</guid>
		<description>I&#039;m one of the very few who share your sentiments regarding McCarthy. However, these recent weeks I&#039;ve warmed a bit up to her. Maybe it&#039;s the fact I&#039;m so happy that Shailene Woodley wasn&#039;t nominated for &#039;The Descendants,&#039; but you&#039;re right...the performance could have easily been mirrored by another just as funny comedic actress. She was certainly loveable in the film, but I wouldn&#039;t go as far as to say &quot;Oscar worthy&quot; especially when Carey Mulligan is breaking my heart in &#039;Shame.&#039; Again, I&#039;m not saying drama should be seen in higher regards than comedy, but this was a comedic performance that really benefited from the buzz of the film and the shock value within Wiigs and Mumolo&#039;s screenplay.</description>
		<content:encoded><![CDATA[<p>I&#8217;m one of the very few who share your sentiments regarding McCarthy. However, these recent weeks I&#8217;ve warmed a bit up to her. Maybe it&#8217;s the fact I&#8217;m so happy that Shailene Woodley wasn&#8217;t nominated for &#8216;The Descendants,&#8217; but you&#8217;re right&#8230;the performance could have easily been mirrored by another just as funny comedic actress. She was certainly loveable in the film, but I wouldn&#8217;t go as far as to say &#8220;Oscar worthy&#8221; especially when Carey Mulligan is breaking my heart in &#8216;Shame.&#8217; Again, I&#8217;m not saying drama should be seen in higher regards than comedy, but this was a comedic performance that really benefited from the buzz of the film and the shock value within Wiigs and Mumolo&#8217;s screenplay.</p>
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		<title>Comment on Making the final case for each Best Picture nominee&#8230; by Joey Magidson</title>
		<link>http://www.awardscircuit.com/2012/02/22/making-the-final-case-for-each-best-picture-nominee/#comment-8474</link>
		<dc:creator>Joey Magidson</dc:creator>
		<pubDate>Thu, 23 Feb 2012 05:15:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=14059#comment-8474</guid>
		<description>Well done.</description>
		<content:encoded><![CDATA[<p>Well done.</p>
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		<title>Comment on Film Review: This Means War (*1/2) by Joey Magidson</title>
		<link>http://www.awardscircuit.com/2012/02/21/film-review-this-means-war-12/#comment-8473</link>
		<dc:creator>Joey Magidson</dc:creator>
		<pubDate>Thu, 23 Feb 2012 05:11:27 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=13711#comment-8473</guid>
		<description>Indeed, anyone could have improved on what we got here.</description>
		<content:encoded><![CDATA[<p>Indeed, anyone could have improved on what we got here.</p>
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		<title>Comment on Making the final case for each Best Picture nominee&#8230; by Joey Magidson</title>
		<link>http://www.awardscircuit.com/2012/02/22/making-the-final-case-for-each-best-picture-nominee/#comment-8471</link>
		<dc:creator>Joey Magidson</dc:creator>
		<pubDate>Thu, 23 Feb 2012 05:10:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=14059#comment-8471</guid>
		<description>Thomas- See my explanation to Alex...</description>
		<content:encoded><![CDATA[<p>Thomas- See my explanation to Alex&#8230;</p>
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		<title>Comment on Making the final case for each Best Picture nominee&#8230; by Joey Magidson</title>
		<link>http://www.awardscircuit.com/2012/02/22/making-the-final-case-for-each-best-picture-nominee/#comment-8470</link>
		<dc:creator>Joey Magidson</dc:creator>
		<pubDate>Thu, 23 Feb 2012 05:10:09 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=14059#comment-8470</guid>
		<description>Alex- Has to do with perhaps thinking now&#039;s the time to honor a veteran filmmaker before it&#039;s too late.</description>
		<content:encoded><![CDATA[<p>Alex- Has to do with perhaps thinking now&#8217;s the time to honor a veteran filmmaker before it&#8217;s too late.</p>
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		<title>Comment on Making the final case for each Best Picture nominee&#8230; by Joey Magidson</title>
		<link>http://www.awardscircuit.com/2012/02/22/making-the-final-case-for-each-best-picture-nominee/#comment-8468</link>
		<dc:creator>Joey Magidson</dc:creator>
		<pubDate>Thu, 23 Feb 2012 05:06:57 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=14059#comment-8468</guid>
		<description>Yes, it&#039;s the poorest reviewed Best Picture nominee to date.</description>
		<content:encoded><![CDATA[<p>Yes, it&#8217;s the poorest reviewed Best Picture nominee to date.</p>
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		<title>Comment on Oscar 2012 Will Win/Should Win Selections (Hamer) by Divya</title>
		<link>http://www.awardscircuit.com/2012/02/22/oscar-2012-will-winshould-win-selections-hamer/#comment-8464</link>
		<dc:creator>Divya</dc:creator>
		<pubDate>Thu, 23 Feb 2012 05:02:58 +0000</pubDate>
		<guid isPermaLink="false">http://www.awardscircuit.com/?p=13884#comment-8464</guid>
		<description>I loved Robert Hamer&#039;s analysis much more than anybody else&#039;s so far. This is actually based on complete objectivity, rather than personal preferences. I&#039;m so glad that the Brad Pitt bandwagon is growing stronger. And I&#039;m glad that SOMEONE actually backs HP to win something. And you have correctly given the reason why &#039;Hugo&#039; might just end up winning Visual Effects (indeed, it is said that most members of the Academy don&#039;t have a clue about Visual Effects, and usually vote for a film that they liked the best). 

Then again, I don&#039;t understand all the brouhaha over Melissa McCarthy. I&#039;m not saying she doesn&#039;t deserve to be there, but when you look at the reaction to her performance, everybody&#039;s like,&quot;She pooped in the sink&quot;, as if she did NOTHING ELSE in the film. Even Anna Belickis said,&#039;Bridesmaids proved that women are just as crude as anybody&#039;. Come on. If comic performances involve ONLY crude behavior and utter profanities, any street urchin would&#039;ve easily taken Melissa McCarthy&#039;s place. What&#039;s so special about her OWN performance? What did Melissa McCarthy bring to the role that no one else could&#039;ve done? In real life, get a girl drunk/drugged, and even she can poop in the sink, &#039;cos she won&#039;t be in her senses. And as for the &#039;high self-esteem&#039;, you can clearly see that it is only an act for the film. Even our own parents don&#039;t have such a high self-esteem.</description>
		<content:encoded><![CDATA[<p>I loved Robert Hamer&#8217;s analysis much more than anybody else&#8217;s so far. This is actually based on complete objectivity, rather than personal preferences. I&#8217;m so glad that the Brad Pitt bandwagon is growing stronger. And I&#8217;m glad that SOMEONE actually backs HP to win something. And you have correctly given the reason why &#8216;Hugo&#8217; might just end up winning Visual Effects (indeed, it is said that most members of the Academy don&#8217;t have a clue about Visual Effects, and usually vote for a film that they liked the best). </p>
<p>Then again, I don&#8217;t understand all the brouhaha over Melissa McCarthy. I&#8217;m not saying she doesn&#8217;t deserve to be there, but when you look at the reaction to her performance, everybody&#8217;s like,&#8221;She pooped in the sink&#8221;, as if she did NOTHING ELSE in the film. Even Anna Belickis said,&#8217;Bridesmaids proved that women are just as crude as anybody&#8217;. Come on. If comic performances involve ONLY crude behavior and utter profanities, any street urchin would&#8217;ve easily taken Melissa McCarthy&#8217;s place. What&#8217;s so special about her OWN performance? What did Melissa McCarthy bring to the role that no one else could&#8217;ve done? In real life, get a girl drunk/drugged, and even she can poop in the sink, &#8216;cos she won&#8217;t be in her senses. And as for the &#8216;high self-esteem&#8217;, you can clearly see that it is only an act for the film. Even our own parents don&#8217;t have such a high self-esteem.</p>
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