
Well this is some interesting news. AMPAS has decided to honor three movie musicals from the past decade - Chicago (2002), Dreamgirls (2006), and Les Misérables (2012) – during the 85th Annual Academy Awards. The details aren’t too clear yet, but it might be fun to see the casts of each film reunite on stage for some song and dance numbers. Have a look at the official release after the jump.
Read more on Oscars® to Feature Tribute to Movie Musicals of the Last Decade…
In what seems like an eternity, Tom Hooper’s long-awaited Les Miserables starring Hugh Jackman, Russell Crowe, and Anne Hathaway has finally been screened and finished. Director Hooper came out to introduce his film at the Alice Tully Theater at Lincoln Center on Friday, November 23, 2012 and explained that he had just finished the picture at 2 a.m. the evening before. The wait was well worth it. Les Miserables is not only stunningly powerful, and beautifully crafted, it’s the best stage musical adaptation since Rob Marshall’s Chicago (2002). Incredibly moving and featuring some of the most powerful musical numbers ever constructed, Tom Hooper tops his previous film The King’s Speech (2010) with artistry and passion. Read more on Les Miserables (****)…
Categories: Editor, Film Reviews Tags: Amanda Seyfried, Anne Hathaway, Arts, British films, Chicago, Chris Dickens, conductor, Cosette, Danny Cohen, Director, Eddie Redmayne, Editor, Editor Film Review, Entertainment/Culture, Eve Stewart, Fantine, Film, film reviews, Helena Bonham Carter, Hugh Jackman, Human Interest, Javert, Jean Valjean, King, Les Miserables, Lincoln Center, Marius, Movie Release, Oscar, player, police inspector, principal actor, Rachel Getting Married, Rob Marshall, Romantic drama films, Russell Crowe, sacha baron cohen, Samantha Barks, single actor and craftsman, The Academy Awards, The King, the Oscars, Tom Hooper
With Tom Hooper’s Les Miserables about to seen by the first set of eyes this coming Friday, many pundits predict this could be the first musical nominated for Best Picture since Rob Marshall’s Chicago (2002).
The question I pose to our readership today is which movie musical would you have nominated for Best Picture but sadly was not in any given year? Read more on Oscar Question of the Day – The Movie Musical…
Categories: Editor, Question of the Day Tags: Anika Noni Rose, Beyonce Knowles, Bill Condon, Chicago, Cinema of the United States, Dreamgirls, eddie murphy, Egypt, Entertainment/Culture, Films, Hairspray, jennifer hudson, Keith Robinson, King, Movie Release, Musical theatre, Prince, Rob Marshall, Sweeney, sweeney todd, Sweeney Todd: The Demon Barber of Fleet Street, The Lion King, The Prince of Egypt, Tom Hooper
When the Lionsgate Awards site went LIVE today and listed their slate of contenders involving Stephen Chbosky’s The Perks of Being a Wallflower, Fisher Stevens’ Stand Up Guys, Gary Ross’ The Hunger Games, Nicholas Jarecki’s Arbitrage, and J.A. Bayona’s The Impossible, I started to analyze how this year could pan out for smaller films that are trying to make a play; even more so, the performances in them.
I’ve touted on podcasts for weeks that Nate Parker utterly deserves a citation in Arbitrage, a raw, authentic turn that stands as one of the year’s bests. His co-star Richard Gere is currently being predicted in the Lead Actor top five, mostly on the notion that after years of ignoring and snubbing, voter’s eyes would finally be open to the charm that Gere portrays in Jarecki’s film. As Hugh Jackman remains a mystery of the season in Les Miserables and the word of Anthony Hopkins’ work in Hitchcock rallies some muted enthusiasm, a first-time nominee is bound to crack the top five. Believe me, Bradley Cooper might have a leg up on Gere given his film’s Best Picture chances and the powerful Weinsteins backing, but perhaps an overdue veteran has the gas to go the distance. Read more on Two Lead Contenders on Lionsgate Awards Plate…
Categories: Article, Editor, Oscar Predictions Tags: An Officer and a Gentleman, Anthony Hopkins, Arbitrage, Bradley Cooper, Chicago, Entertainment/Culture, Ewan McGregor, Films, Fisher Stevens, gary ross, Golden Globe, Hugh Jackman, Jennifer Lawrence, King, Lead Actor, Los Angeles, Margin Call, Movie Release, Mulholland Drive, naomi watts, Nate Parker, New York City, Nicholas Jarecki, Officer, Oscar, oscar predictions 2013, Peter Jackson, Precious, Richard Gere, Rob Marshall, Robert Miller, Screen Actors Guild, screenwriter, Sergio G. Sánchez, Stephen Chbosky, Susan Sarandon, Taylor Hackford, The Impossible, TOM HOLLAND, Watts, Writer
Last year I made a sad observation for the comedy genre that often gets overlooked time and time again. As Halloween is canceled on the East Coast due to the storm, I realized the Horror genre gets the finger more often than its comedic counterpart. How many horror films would you throw in a Best Picture lineup over the years? Or a simple Screenplay nomination at least? Films like The Sixth Sense (1999) have powered through their respective Oscar seasons but is that our most deserving film to make the cut? Surely not. As films like Frankenweenie pay homage to the monster genre, could it be more acceptable to embrace the scares for Oscar consideration?
I’m taking a look at a few names that come to mind but I’m sure the great readership will name dozens more after this is said and done.
Check out the full list (in no particular order) after the jump. Read more on 7 Films Oscar Shouldn’t Have Been Scared Of…
Categories: Article, Editor Tags: Aliens, An Unmarried Woman, Anthony Perkins, Bowling for Columbine, Brian DePalma, Chicago, Cinema of the United States, Daveigh Chase, East Coast, Entertainment/Culture, Far from Heaven, Film, Frankenweenie, Gangs of New York, Halloween, Horror film, Human Interest, iconic director, James Cameron, Jamie Lee Curtis, Janet Leigh, John Carpenter, John Hurt, John Williams, Kevin Williamson, lone director, Movie Release, naomi watts, natural disaster, New York City, Oscar, Paul Mazursky, Piper Laurie, Psycho, Punch-Drunk Love, Ridley Scott, Sigourney Weaver, Sissy Spacek, Slasher films, Supporting Actress, the hours, The Ring, The Sixth Sense, Tom Skerritt, Wes Craven
Another potential Oscar player added to the books ladies and gentleman. Stand Up Guys starring Academy Award Winners Al Pacino, Christopher Walken, and Alan Arkin are getting an Oscar qualifying run in December as the film is set to open wide January 11. The film is directed by Fisher Stevens and produced by Tom Rosenberg, the Oscar-winning producer on Clint Eastwood’s Million Dollar Baby (2004).
IMDB lists the film’s synopsis as:
Read more on “Stand Up Guys” with Pacino, Walken, and Arkin Get Qualifying Oscar Run…
Categories: News Tags: American film directors, Ben Affleck, Chicago, Christopher Walken, Cinema of the United States, Entertainment/Culture, Film, Fisher Stevens, Golden Globe, IMDB Inc, Julianna Marguilles, Julianna Margulies, Martin McDonagh, Million Dollar Baby, Oscar, Stand Up Guys, The Good Wife, USD

For months, rumors swirled about who would produce the Oscars, and today the Academy has finally found their men. The Academy has tapped Craig Zadan and Neil Meron, themselves Oscar winners for Chicago, to produce the 85th annual Academy Awards. This is a pretty good get for the Academy considering that the Oscars are seen as the golden grail of award shows and getting people who have experience with movie musicals, tv shows and Broadway plays should aid in delivering a solid Oscar telecast. See the full press release after the jump.
Read more on Craig Zadan and Neil Meron to produce the 85th Annual Academy Awards!…
Has an entire decade passed since Martin Scorsese’s massive and flawed, and massively flawed Gangs of New York (2002) thundered onto screens for the first time? It seems like yesterday that I was reading the film’s release date being delayed a full year in light of 9/11, which also permitted Scorsese to film further scenes and edit the film down to a reasonable length, all to the anger of Weinstein.
A dream project of Scorsese’s, he was invited to make the film for Miramax, which meant working with Harvey Weinstein, perhaps the only man in the industry with a temper as volatile as the director. Of course, Weinstein had an agenda, bringing an important director such as Scorsese to Miramax made his company all the more impressive, and Weinstein believed for the film, Scorsese would finally win that long elusive Academy Award. Why? Because he said so. Read more on Martin Scorsese’s “Gangs of New York” – Ten Years Later…
Categories: Article Tags: Chicago, Daniel Day-Lewis, Gangs of New York, Goodfellas, Leonardo di Caprio, Leonardo DiCaprio, Martin Scorsese, Miramax Films, Oscar, Oscars, Raging Bull, Rob Marshall, Roman Polanski, Saving Private Ryan, Shakespeare in Love, The Aviator, The Departed, the Golden Globe Awards, The Pianist
No secret among readers, the musical is not my choice of genre. In fact I daresay I can name six musicals that I consider to be great films, and they would be the energetic Singin’ in the Rain (1952), the dark and foreboding Cabaret (1972), the rock opera Tommy (1975), the mesmerizing Hair (1979), Herbert Ross’ criminally under valued Pennies from Heaven (1981) and for my own giddy reasons Little Shop of Horrors (2003). There is something silly about actors suddenly bursting into song that I have never found captivating or the least bit interesting. Certainly there are others I admire, such as Dreamgirls (2006) and Rent (2005) but having sat through literally hundreds of musicals, I cannot claim to being a fan. Admittedly when a powerhouse voice like Jennifer Hudson cuts loose as she did in Dreamgirls (2006) I appreciate her gifts, truly, and watch the film admiring her work, in awe of what she can vocally, but musicals are not my favorite form of film. Read more on Getting Pumped for Les Misérables…
2002 ACCA Winners
Best Picture – Chicago
Runner Up – Adaptation
Best Director – (TIE) Peter Jackson for The Lord of the Rings: The Two Towers & Roman Polanski for The Pianist
Runner Up – Martin Scorsese for Gangs of New York
Read more on 2002 ACCA & Davis Award Winners!…
Categories: Community, Editor Tags: Andy Serkis, Catherine Zeta-Jones, Chicago, Daniel Day-Lewis, Davis Awards, Davis Awards 2002, ed harris, Far from Heaven, Gangs of New York, Julianne Moore, Meryl Streep, nicole kidman, Peter Jackson, Roman Polanski, the hours, The Lord of the Rings: The Two Towers, The Pianist
It’s that time! The Awards Circuit Community Awards must now choose their favorite films and performances from 2002. In case you missed it, Rob Marshall’s “Chicago” and Peter Jackson’s “The Lord of the Rings: The Two Towers” led the way with twelve nominations each. Stephen Daldry’s “The Hours” garnered nine nominations while Spike Jonze’s “Adaptation” captured eight citations. Martin Scorsese’s “Gangs of New York” failed to nab a Best Picture nomination but still managed nine nominations altogether. Roman Polanski’s “The Pianist,” though still named a Best Picture nominee, could only muster five nominations from the community.
In record setting news, Leonardo DiCaprio remains the most nominated actor in community history. With his Lead Actor nomination for “Catch Me If You Can,” he has been nominated six times by our readership. Right behind him is the great Meryl Streep, with her double nominations for “The Hours” and “Adaptation,” has been cited five times. I leave the milestones up to our longtime reader, GL to go over the stats when winners are announced. We always look forward to them.
I will announce the Davis Award Nominees tomorrow!
Vote for your favorites in the 19 categories HERE! I will announce the winners on next Sunday’s Power Hour with the staff in tow with us moving on to Year 2000 the following week. Look forward to your winners! Read more on ACCA 2002 Final Voting Open!…
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