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  • Oscar Circuit – “Master” of Networking?

    Can 'The Master' follow in the footsteps of 'Network' and 'A Streetcar Named Desire' and win 3 Acting Oscars?

    November 11, 2012

    As the awards season is underway, multiple scenarios are playing out in my mind suggesting what can occur for the remainder of the year.  Films like The Hobbit: An Unexpected Journey and Zero Dark Thirty are still sight unseen with Django Unchained and Promised Land about to get their first set of eyes.  Last week Tom Hooper’s Les Miserables debuted a full-length trailer featuring Hugh Jackman, Russell Crowe, Eddie Redmayne, and Amanda Seyfried all showing some singing skills.  Supporting Actress frontrunner Anne Hathaway was shown singing “I Dreamed a Dream” for the third time in the Universal Pictures marketing, which leads me to my point of the Oscar Circuit.

    The trailer for Les Miserables didn’t do the film any favors.  The clunky production design, unnecessary wide-angles, and even the live singing on set didn’t seem as great as I’d thought it’d be.  In this latest round of Oscar Predictions, I’ve decided to back from Tom Hooper’s film a little bit.  Where momentum and prestige is on the side of Steven Spielberg’s Lincoln and Ben Affleck’s Argo, big stage musicals transferred to film aren’t always safe bets.  What makes this notion of the film failing to impress even more compelling is Paul Thomas Anderson’s The Master.  If Anne Hathaway were to fall out of the Supporting Actress race, who could win the award in her absence?  There are arguably three slots taken in Supporting Actress with Amy Adams (The Master), Sally Field (Lincoln), and Helen Hunt (The Sessions).  If it’s between those three for the win, Adams will be on her fourth nomination with the other two ladies having Oscars already.  Field herself would be 3 for 3 for Oscar nominations, something hard to envision happening.  Hunt has had a hard time post-Oscar win and isn’t as beloved as her competitors.  This could all work out for the young Amy Adams. Read more on Oscar Circuit – “Master” of Networking?…

    Lincoln (***½)

    Spielberg delivers one of his best efforts in years showcasing Tommy Lee Jones and James Spader as standouts...

    October 9, 2012

    Steven Spielberg delivers his finest work since Minority Report (2002) with his politically charged and emotionally timely film, Lincoln.  Starring Daniel Day-Lewis in the pivotal role of Abraham Lincoln, the film tells the story of the last months of Lincoln’s presidency and his mission to abolish slavery during the time of the civil war.

    Tony Kushner adapts the screenplay with clever candor and surprisingly humorous dialogue.  Lincoln takes on such a life force of its near two-and-a-half hour runtime but never lets up on its thematic elements or attempts to take the easy route of cheap period satire that wears thin in other films about a dark time in America’s history.  The film doesn’t just focus on Lincoln, the political messiah sent to save America from evil, its non-dictum method in retelling a story with so many surrounding characters gives Abe a unique and accessible outlook for a viewer to latch onto, no matter what the viewer may or may not know about him.

    Read more on Lincoln (***½)…

    Battle of the Late Contenders – Hitchcock vs. Promise

    Which contender, if any, can breakthrough?

    September 29, 2012

    As you all know, this year, like almost every other awards season, we’ve had a few party-crashers looking to shake up the slow march to the Oscar nominations by coming out a few months early. Sometimes they hit, like “Million Dollar Baby,” “Crazy Heart,” or “Slumdog Millionaire” but plenty of the time they wind up not making a big mark on the race. This awards season has two surprise entrants hoping to be more like Clint Eastwood’s Oscar winner than another in a long line of films that should have waited an extra year. The titles in question for 2012 are “Hitchcock” and “Promised Land.” Both are possibly big contenders, though both could easily wind up shut out in the race. Gun to my head, I think the former has a stronger appeal than the latter, but both are clearly aimed straight at the Academy’s wheelhouse. Both have a lot of potential, but let’s not have a coronation them as Oscar winners just yet. What we should be doing is considering them in a way we’ve only briefly done before. What are the awards prospects for both films? Read more on Battle of the Late Contenders – Hitchcock vs. Promise…

    September 21, 2012

    A day after Fox Searchlight announced that Hitchcock would be released, Focus Features comes back to show us which late entry they entered into the race with Gus Van Sant’s Promised Land.  The trailer has dropped today and showcases Matt Damon in a role that may or may not bring some awards attention.  The jury is still out on its Oscar chances.  I’d place it on the medium scale of must-sees this year but I’ve been know to be wrong before.

    Check out the full trailer and poster after the jump.  Read more on Gus Van Sant’s “Promised Land” Trailer and Poster Released!…

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