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  • Should Marc Webb return for The Amazing Spider-Man 2?

    If not him, then who else could be in play?

    July 5, 2012

    One of my favorite things about ‘The Amazing Spider-Man’, besides Andrew Garfield and Emma Stone’s performances, was the direction by Marc Webb. For the first time in a superhero flick (excluding Christopher Nolan, of course, but his Batman franchise feels like it’s only incidentally a superhero movie, it’s so different) a filmmaker put a higher emphasis on character as opposed to action. This was really ‘(500) Days of Spidey’, and I really appreciated that. He handled the action just fine, but he shined with the characters. With a sequel inevitable and in fact scheduled already for release in May 2014, complete with writers (Alex Kurtzman and Roberto Orci are rewriting the script by James Vanderbilt, who co-wrote this last one) and all, it’s not unreasonable to consider who will be directing the flick. I’d love to see Webb do it, but it’s certainly not a forgone conclusion that he will, and in fact, it may be more likely that he doesn’t. After the jump I’ll weigh the pros and cons of him doing it, as well as suggest a few possible replacements for the chair.

    Read more on Should Marc Webb return for The Amazing Spider-Man 2?…

    January 3, 2012

    New York City has had a moment in 2011, that’s for sure.  From ‘Shame’ to ‘Margaret’ to ‘Extremely Loud & Incredibly Close’ (not to mention appearances in the likes of  ’The Adjustment Bureau’, ‘Bill Cunningham New York’, ‘HappyThankYouMorePlease’, and ‘Margin Call’…hell, even trash like ‘New Year’s Eve’), the city of New York has been a looming character in many films this past year.  How ironic is it that in a year where this is the case, Woody Allen is actually one of the filmmakers who didn’t contribute to this?  Regardless, it’s a year where I’ve seen New York captured as a character in movies like I haven’t witness in a long time.  Specifically with the first three films I mentioned, the city is an omnipresent character an an emotional piece of the puzzle.  From ‘Shame’ compounding the loneliness of Brandon with the emptiness of the city on a late night run to ‘Margaret’ making the post 9/11 city a real concern for Lisa and most others to ‘Extremely Loud & Incredibly Close’ focusing on a trip throughout the boroughs that relates back to “the worst day” for Oskar, New York has been worthy of a Best Supporting Actor (or is it Actress?) nomination in 2011.  Especially considering that 2011 was the 10th anniversary of 9/11, the omnipresence of New York makes a bit of sense, to say the least.  Each film used it in a different way, but all did it with aplomb.  There are a trio of films that really made New York a character last year, and I want to talk a bit about each and give them their due.  Trust me, as a New Yorker, they deserve it in a big way.

    Read more on New York City: The Best Cinematic Character in 2011?…

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    December 16, 2011

    Each year, as the Oscar race begins to come into focus, and even before that, the perception of how the race “should” shape up affects how things actually do shape up, leading the casual Oscar fan to take idle chatter for the gospel.  We’ve spoken more than once on the subject of if Oscar prognosticators help or hurt, but never on this level and during the actual season.  Now that we’ve seen the precursors begin to come in and no frontrunner emerge, could it be that we writers at The Awards Circuit and other outlets are impacting what’s perceived as the Academy’s likely preferences?  I don’t mean to say we’re this big influential body with a direct line to voters, but to a degree it can’t be discounted that what myself, Clayton, or anyone else writes about carries a little bit of weight and affects the perception of how things are going.  My fear is that many will make a mile out of a molehill when we talk about ‘The Artist’ or ‘The Descendants’ or even ‘Drive’ and ‘Hugo’ taking a precursor award or doing well at a nomination announcement.  To what degree is the question, of course.  What do I mean by this?  Well, let’s get into it.

    Read more on Perception and Reality of the Oscars…

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    Comments: 6 Comments |

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