Sometimes movies are incredibly clear in their intentions from the outset. Other films take their time, sneaking up on you and subtly creeping into your consciousness. and there are those films that sneak up on you, creeping into your consciousness. Pit Stop, an eloquent look at gay men living in Texas and the crossroads they find themselves at in their interactions, is most definitely the latter. While I had some problems with the first half of the film, the 2nd half is so wonderful that it made me reevaluate my entire experience. Anchored by some nuanced performances and a character driven screenplay, the film manages to say a lot without speaking loudly. Read more on Sundance: Pit Stop (***)…
Tags: Amy Seimetz, Film, film reviews, Pit Stop, Sundance Film Festival, Terence Johnson









Episode 6 is in the books! In this episode we attempt to unravel the complexities of Shane Carruth’s newest film Upstream Color, describe our feelings towards The Spectacular Now (Joey loved it), Pit Stop (I loved it) and The Necessary Death of Charlie Countryman (it was average). We also get a bit into the Sundance acquisitions and talk about issue with critics walking out of screenings before the movie is up. Enjoy! 

