stories-we-tell-posterMONTCLAIR FILM FESTIVAL: Sarah Polley continues to become one of the most innovative and inventive directors working today and its proved by what she spills out on the silver screen in her newest endeavor Stories We Tell. A compelling and personal documentary about her own life, Stories We Tell blends and fuses the magic of non-fiction with the imagination of the cinematic mind.

Telling the story of her own inception, family life, and personal struggle with her own sense of being, Sarah Polley invites the audience into a world that otherwise would seem shameful and dreary but ends up rising triumphant and inspired. While documentaries often take a very serious, somber, and issue-driven approach, Polley’s film proves that real life can be just as magnetic without an epiphany of theatrics or cheap camera tricks. Stories We Tell takes cinematic risks that pay off tremendously in both execution partnered with Iris Ng’s stunning cinematography. This is one of the best things that the movies have offered this year.

When one takes on a personal subject like their family, you always run the risk of starting your film with a wall between you and the audience from the first frame. Family is one of those things that you can only appreciate when you’re a part of the madness. If I sit here and tell you countless stories of brothers and sisters bickering, falling in an apple ditch, or simply the origin of our creations, a disinterest may become prevalent because what makes my story any more real than yours? Unless we have some extraordinary circumstances, family is all relative and subjective. Polley’s family feels real. While there are painstakingly clear alignments between my family life and hers, the film goes beyond anything that documentaries have offered viewers before. It’s not too often you grow to care about members of a family in a 108 minute stretch unless your last name is Brady, Seaver, or Winslow. It’s amazing to watch one story, told from different perspectives, yielding different results and emotions. Why Polley decided to do it, I’m not so sure. Maybe it was her own way of making sense of her unfortunate hand that was dealt or perhaps it was a way of release, living with so many unanswered questions, possibly still until this day. I’m grateful she let me in to tell her story. We should all be grateful.

There are surprises, innuendos, and things that the film embraces that must be saved for anyone on the first viewing. All I can say is, Polley has likely set a new precedent and encouragement for filmmakers to do similar experiments in the future. A film such as this that follows the life of people like Jack Nicholson or Angelina Jolie would definitely build an anticipation for many to see. Stories We Tell is kind to the soul and heartwarmingly relevant. A film to be remembered.

The film played at this year’s Montclair Film Festival and is scheduled to be released May 17, 2013.


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Clayton Davis--prolific writer and autism awareness advocate of Puerto Rican and Black descent, known for his relentless passion, dedication, and unique aptitude. Over the course of a decade, he has been criticizing both film and television extensively. To date, he has been either featured or quoted in an array of prominent outlets, including but not limited to The New York Times,, Variety, Deadline, Los Angeles Times, FOX 5, Bloomberg Television, AOL, Huffington Post, Bloomberg Radio, The Wrap, Slash Film, and the Hollywood Reporter. Growing up in the Bronx, Clayton’s avid interest in the movie world began the moment he first watched "Dead Poets Society” at just five years of age. While he struggled in English class all throughout grade school, he dived head first into writing, ultimately taking those insufficiencies and transforming them into ardent writings pertaining to all things film, television, and most importantly, the Academy Awards. In addition to crafting a collection of short stories that give a voice to films that haven’t made it to the silver screen, Clayton currently serves as the Founding Editor of He also holds active voting membership at various esteemed organizations, such as the Broadcast Film Critics Association, Broadcast Television Journalists Association, African-American Film Critics Association, New York Film Critics Online, Black Reel Awards, and International Press Academy. Furthermore, Clayton obtained his B.A. degree in American Studies and Communications.