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American Cinema Editors Awards Choose ‘American Hustle,’ ‘Captain Phillips,’ and ‘Frozen’

Is Paul Greengrass’ ‘Captain Phillips’ the spoiler in Film Editing…?

Bf701iwCcAEhA6bWell, this precursor may have complicated things just a bit. Normally I like to predict the Best Picture winner to also take the Best Film Editing Oscar as well, though I often look to the American Cinema Editors awards (or the ACE Eddies) for guidance. Last night, they gave out their top prizes, and they did their best to make the Film Editing category at the Academy Awards as wide open as possible. The Drama Editing prize went to Captain Phillips over more likely Best Picture winners/frontrunners 12 Years a Slave and Gravity (plus other nominees Her and Saving Mr. Banks). As for the Comedy prize, that interestingly enough went to American Hustle over The Wolf of Wall Street (as well as August: Osage County, Inside Llewyn Davis, and Nebraska). The Academy has 12 Years a Slave, American Hustle, Captain Phillips, Dallas Buyers Club, and Gravity to choose from in their category, so while some had initially pegged it a race between 12 Years a Slave and Gravity here, could it now be between American Hustle and Captain Phillips? Time will tell. You can see all of the awards below (Frozen won the Animated prize for example, not that anyone expected otherwise), but now’s a good time to start pondering this Oscar category. It’s certainly a more interesting race than it was merely 24 hours ago…

Here are all of the ACE Eddie winners:

BEST EDITED FEATURE FILM (DRAMATIC):
Captain Phillips
Christopher Rouse, A.C.E.

BEST EDITED FEATURE FILM (COMEDY OR MUSICAL):
American Hustle
Jay Cassidy, A.C.E., Crispin Struthers & Alan Baumgarten, A.C.E. 


BEST EDITED ANIMATED FEATURE FILM:
Frozen
Jeff Draheim

BEST EDITED DOCUMENTARY (FEATURE):
20 Feet from Stardom
Douglas Blush, Kevin Klauber & Jason Zeldes

BEST EDITED DOCUMENTARY (TELEVISION):
The Assassination of President Kennedy
Chris A. Peterson

BEST EDITED HALF-HOUR SERIES FOR TELEVISION:
The Office: “Finale”
David Rogers & Claire Scanlon

BEST EDITED ONE-HOUR SERIES FOR COMMERCIAL TELEVISION:
Breaking Bad: “Felina”
Skip MacDonald A.C.E.

BEST EDITED ONE-HOUR SERIES FOR NON-COMMERCIAL TELEVISION:
Homeland: “Big Man in Tehran”
Terry Kelley, A.C.E.

BEST EDITED MINISERIES OR MOTION PICTURE FOR TELEVISION:
Behind the Candelabra

Mary Ann Bernard

BEST EDITED NON-SCRIPTED SERIES:
Anthony Bourdain: Parts Unknown: Tokyo
Nick Brigden

BEST STUDENT EDITING
Ambar Salinas, Video Symphony

Thoughts? Discuss in the comments!

What do you think?

72 points
Film Lover

Written by Joey Magidson

When he’s not obsessing over new Oscar predictions on a weekly basis, Joey is seeing between 300 and 350 movies a year. He views the best in order to properly analyze the awards race/season each year, but he also watches the worst for reasons he mostly sums up as "so you all don't have to". In his spare time, you can usually find him complaining about the Jets or the Mets. Still, he lives and dies by film. Joey's a voting member of the Broadcast Film Critics Association.

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