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Awards Circuit Power Hour Episode 115: Category Placements, NYFF Week Preview, and Oscars Jeopardy

POWERHOUR_LOGO_NEW1Welcome to another edition of the Awards Circuit Power Hour, our weekly podcast diving deep into all things film, television, and entertainment.

We have a new, fun-packed episode for you all today.  Here are some of the highlights.

  • We start off by talking about the weekend box office that included “The Maze Runner,” “This Is Where I Leave You,” and “Tusk.”
  • We take a bunch of your questions regarding Oscars, the film year, and more.
  • We take a look at some of the category placements for contenders like Christoph Waltz, Jessica Chastain, and Felicity Jones for the Oscars.
  • This past week we got a look at Jason Reitman’s “Men, Women & Children” and talk about its chances and place in the year.
  • We end with a Oscar Jeopardy Game.  Can you do better than the staff?

*NOTE – From now on, if you have a question for us for Power Hour, you can either Tweet it with the hashtag #ACPowerHour OR you can leave it in the comment section of the newest episode.

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What do you think?

72 points
Film Lover

Written by Clayton Davis

Clayton Davis is the esteemed Editor and Owner of Born in Bronx, NY to a Puerto Rican mother and Black father, he’s been criticizing film and television for over a decade. Clayton is a member of the Broadcast Film Critics Association where he votes and attends the kick off to the awards season, the Critics Choice Awards. He also founded the Latino Entertainment Journalists Association, the first Latino-based critics’ organization in the United States. He’s also an active member of the African-American Film Critics Association, New York Film Critics Online, International Press Academy, Black Reel Awards, and the Broadcast Television Journalists Association. Clayton has been quoted and appeared in various outlets that include The New York Times,, Variety, Deadline, Los Angeles Times, FOX 5, Bloomberg Television, AOL, Huffington Post, Bloomberg Radio, The Wrap, Slash Film, and the Hollywood Reporter.


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