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Middleburg Film Review: ‘Three Billboards outside Ebbing, Missouri’ is the Darkly Rich Movie We Could Only Dream

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Three Billboards Outside Of Ebbing MissouriFox Searchlight Pictures2017 MIDDLEBURG FILM FESTIVAL: It’s always nice to have a film blend the genres of black comedy and a hard-hitting drama successfully. You expect studios to attempt such a feat. What you don’t expect is an intelligent and absorbing story in which there isn’t a single moment that you don’t look away. That’s the perfect description to Martin McDonagh‘s “Three Billboards outside Ebbing, Missouri.” A savagely amusing experience, McDonagh’s film maintains its comic balance, and after beats of jokes and humor, manages to get an emotional reaction from its viewers. Not sure we’ve seen anything like this in years.

Three Billboards outside Ebbing, Missouri,” tells the story of Mildred (played by Frances McDormand), a mother who personally challenges the local authorities to solve her daughter’s murder with three gigantic billboards. Targeting Sherrif Willoughby (played by Woody Harrelson) brings controversy around the town, in particular, the bumbling buffoonery of Officer Dixon (played by Sam Rockwell).

After McDonagh demanded our attention in the Oscar-nominated “In Bruges,” he’s maintained his vision and tone with his follow-up “Seven Psychopaths.” With “Three Billboards…,” he’s hit a whole new level. Invigorating filmmaking in nearly every way imaginable, McDonagh encompasses equal parts of engagement, humor, and enlightenment. It’s the gold standard of a terrific script paired with even better storytelling. The writer/director creates cinematic tension and makes it palpable.

woody harrelson sam rockwell three billboards outside ebbing missouriFrances McDormand is as relevant today as she’s ever been to the culture of cinema. Her quirky interpretation of a grieving mother, paralyzed by the feeling of regret is one of her most auspicious turns, one that should land her an Oscar nomination for Best Actress.  Her whipper-snapper attitude and monologues will be quotable to cinema-goers for years.

The standout of the film is the vivacious Sam Rockwell, you know, the man who’s been virtually ignored his entire career by awards bodies. Not only did Rockwell return from the brink of cinematic extinction, but he delivers one of, if not his most memorable and undeniable performances of his career. As the character is deceptively humorous and simultaneously vile, Rockwell balances the black comedy with the most consistent interpretation of a man just desperate to make something of himself. The Academy would be so lucky to include him among its 89-year history of acting winners.

Surprisingly moving and brilliant is Woody Harrelson. Almost seemingly channeling Morgan Freeman’s work in “The Shawshank Redemption,” Harrelson becomes a through-line for the audience to engage while then echoing Mahershala Ali’s work in “Moonlight.” It’s the ghost of the film that never leaves and ends up being one of the film’s undoubted highlights.

McDonagh gets, even more, brownie points when he sprinkles in Abbie Cornish, looking like she was plucked out of “Foxcatcher” as Sienna Miller’s spirit animal; Lucas Hedges, as the wisecracking and mournful son, and John Hawkes, as the slithering and enigmatic ex-husband.

three billboards outside ebbing missouri trailerThe film also assembles a dynamite crafts team. As can be expected with every musical note he writes, Carter Burwell‘s score does more than just add tension; he downright reinvents it. Ben Davis‘ cinematography is as smooth as the editing that’s modeled by Jon Gregory.  Both are worthy of every citation it will receive throughout the season.

There are times you walk out of the film, realizing that the special and unmistakable nature of its execution has been felt. Often, you feel as though you must immediately see it again to see if what you felt is real. There’s more to take in on a second viewing I’m sure of it. We can only hope that it will live up to what was initially discovered. “Three Billboards outside of Ebbing, Missouri” is one of the year’s most dynamite films, aching to be embraced by any lover of the movies.

“Three Billboards outside Ebbing, Missouri” is distributed by Fox Searchlight Pictures and opens in theaters on Nov. 10.

GRADE: (★)

Check out the newest Oscar Predictions and see where “THREE BILLBOARDS OUTSIDE EBBING, MISSOURI” ranks!

CLICK THE CATEGORY TO SEE THE OSCAR PREDICTIONS:

MOTION PICTURE | DIRECTOR |
LEAD ACTOR | LEAD ACTRESS | SUPPORTING ACTOR | SUPPORTING ACTRESS | 
ORIGINAL SCREENPLAY | ADAPTED SCREENPLAY | ANIMATED FEATURE |
PRODUCTION DESIGN | CINEMATOGRAPHY | COSTUME DESIGN | FILM EDITING | MAKEUP & HAIRSTYLING | SOUND MIXING | SOUND EDITING | VISUAL EFFECTS |
ORIGINAL SCORE | ORIGINAL SONG |

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Written by Clayton Davis

Clayton Davis is the esteemed Editor and Owner of AwardsCircuit.com. Born in Bronx, NY to a Puerto Rican mother and Black father, he’s been criticizing film and television for over a decade. Clayton is a member of the Broadcast Film Critics Association where he votes and attends the kick off to the awards season, the Critics Choice Awards. He also founded the Latino Entertainment Journalists Association, the first Latino-based critics’ organization in the United States. He’s also an active member of the African-American Film Critics Association, New York Film Critics Online, International Press Academy, Black Reel Awards, and the Broadcast Television Journalists Association. Clayton has been quoted and appeared in various outlets that include The New York Times, CNN.com, Variety, Deadline, Los Angeles Times, FOX 5, Bloomberg Television, AOL, Huffington Post, Bloomberg Radio, The Wrap, Slash Film, and the Hollywood Reporter.

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