The National Society of Film Critics (NSFC) met Saturday afternoon to announce their 2019 winners in film.
Taking the top prize is “Parasite,” the Cannes award-winning and critically lauded feature from director Bong Joon-ho. The film topped with a total of 44 points, while Greta Gerwig‘s “Little Women” came in as runner-up. Gerwig then took the award for Best Director.
Primetime Emmy winner Mary Kay Place was crowned Best Actress by the NSFC for her performance in “Diane,” while Antonio Banderas took the win for Best Actor for his role in “Pain and Glory.”
This edition of the awards was voted on by 20 critics in New York, 9 remotely in L.A. and other cities, and 14 by proxy.
Last year, the NSFC awarded its Best Picture honor to Chloe Zhao’s “The Rider.”
Find the list of winners below as they’re updated.
(Runners-up: “Little Women”; “Once Upon a Time in Hollywood”)
Greta Gerwig, “Little Women”
(Runners-up: Bong Joon Ho, “Parasite” Martin Scorsese, “The Irishman”)
Bong Joon Ho and Han Jin Won, “Parasite”
(Runners-up: Quentin Tarantino, “Once Upon a Time in Hollywood”; Greta Gerwig, “Little Women”)
Claire Mathon, “Portrait of a Lady on Fire”
(Runners-up: Robert Richardson, “Once Upon a Time in Hollywood”; Yorick Le Saux, “Little Women”)
Best Supporting Actor
Brad Pitt, “Once Upon a Time in Hollywood”
(Runners-up: Joe Pesci, “The Irishman”; Wesley Snipes, “Dolemite Is My Name”; Song Kang Ho, “Parasite”)
Antonio Banderas, “Pain & Glory”
(Runners-up: Adam Driver, “Marriage Story”; Adam Sandler, “Uncut Gems”)
Best Supporting Actress
Laura Dern, “Marriage Story”
(Runners-up: Florence Pugh, “Little Women”; Jennifer Lopez, “Hustlers”)
Mary Kay Place, “Diane”
(Runners-up: Zhao Tao, “Ash Is the Purest White”; Florence Pugh, “Midsommar”)
Best Foreign-Language Film
Best Non-Fiction Film
(Runners-up: “American Factory;” “Apollo 11”)
Film Heritage Award
The Museum of Modern Art for “Private Lives, Public Spaces,” curated by Ron Magliozzi, which makes visible MoMA’s collection of more than 100 years of vernacular moving images, most of them home movies by the famous and unknown.
Rialto Pictures, in its 22nd year, for distributing 4k restorations of beloved classics like KIND HEARTS AND CORONETS and presenting neglected work by masters such as THE WHITE SHEIK and, for the first time, the uncut version of CHRIST STOPPED AT EBOLI.