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Two Lead Contenders on Lionsgate Awards Plate

Richard Gere and Naomi Watts could surprise voters in this awards season…

Gere WattsWhen the Lionsgate Awards site went LIVE today and listed their slate of contenders involving Stephen Chbosky’s The Perks of Being a Wallflower, Fisher Stevens’ Stand Up Guys, Gary Ross’ The Hunger Games, Nicholas Jarecki’s Arbitrage, and J.A. Bayona’s The Impossible, I started to analyze how this year could pan out for smaller films that are trying to make a play; even more so, the performances in them.

I’ve touted on podcasts for weeks that Nate Parker utterly deserves a citation in Arbitrage, a raw, authentic turn that stands as one of the year’s bests.   His co-star Richard Gere is currently being predicted in the Lead Actor top five, mostly on the notion that after years of ignoring and snubbing, voter’s eyes would finally be open to the charm that Gere portrays in Jarecki’s film.  As Hugh Jackman remains a mystery of the season in Les Miserables and the word of Anthony Hopkins’ work in Hitchcock rallies some muted enthusiasm, a first-time nominee is bound to crack the top five.  Believe me, Bradley Cooper might have a leg up on Gere given his film’s Best Picture chances and the powerful Weinsteins backing, but perhaps an overdue veteran has the gas to go the distance.

richard gere arbitrageThe closest that Gere has come to Oscar attention was in Taylor Hackford’s An Officer and a Gentleman (1982) and Rob Marshall’s Chicago (2002).  The latter landed a Golden Globe in Gere’s hands and a Screen Actors Guild nomination.  As ‘Robert Miller,’ Gere puts his allure that made him a star to good use as be bounces off his co-stars Nate Parker and Susan Sarandon.  Arbitrage opened to decent reviews scoring 84% on both Rotten Tomatoes and Critics Choice critics.  The film’s outstanding screenplay by Nicholas Jarecki could score him a deserved citation from the writer’s and be this year’s Margin Call, landing an unexpected Original Screenplay nomination.

Lionsgate has sent out screeners this past week to BFCA and Oscar voters which could start a reaction from members.  Especially when many late-year entries will be competing to be seen by the early deadline set by AMPAS, an accessible, timely film like Arbitrage might do the trick for many.

Also on Lionsgate’s roster is J.A. Bayona’s The Impossible, featuring a fierce and ferocious performance by Naomi Watts.  Watts, previously nominated in Alejandro Gonzalez Inaritu’s 21 Grams (2003), hasn’t found herself on Oscar’s radar since.  As ‘Maria,’ the desperate and brave mother, Watts engulfs herself into the role, naked, bare, and completely relatable.  In a year where Lead Actress is nearly vacant, a powerful turn by Naomi Watts could easily find herself in a lineup.  With the only Lead Actress to push is Jennifer Lawrence in The Hunger Games, Lionsgate can make a strategic, smart decision and put their money where its going to count.

naomiwatts theimpossibleAs the film beats the heartstrings to death, Watts’ role along with co-stars Tom Holland and Ewan McGregor gather such a love from the audience, it’s hard not to think about the actual family long after the film ends.  Watts’ film choices have been eclectic to say the least.  Before 21 Grams, Watts wowed critics alike in David Lynch’s Mulholland Dr. (2001).  After her Oscar nomination, fanboys attempted to unite to push her through for her towering work in Peter Jackson’s King Kong (2005).  Since then, Watts has only gathered minuscule buzz for works in Fair Game (2010) and Mother and Child (2011).

I truly believe, given the right campaign and push, Watts’ work is the type of performance that could not only be nominated but win on Oscar night.  A scene involving Holland and herself walking through the rubble and discovering wounds that are beyond anything seen in a disaster film is quite engrossing.  A naked and vulnerable breast bridged with an authoritative “what?!” encapsulates her entire character’s motivation and brilliance. It’s Watts’ most impressive turn yet as the film as sat with me.  It’s natural and believable.  I can’t imagine what she did to prepare for a role like this.

Unfortunately Holland has nearly nil chance at any citation given the Lead Actor field and McGregor, though admirable in his role, pales in comparison to the dedication and ferocity of the two leads.  As the film clearly states itself as a true story, screenwriter Sergio G. Sanchez does his best to bring this harrowing story to life.  What I believe gives many dismissal of the film and story, is the lack of belief that this is in fact true.  Hopefully, people don’t dismiss but embrace.

If there are two ponies to push from Lionsgate, Richard Gere and Naomi Watts are both realistic and worthy.  Arbitrage is available on-demand and The Impossible opens December 21, 2012 in New York and Los Angeles.

Check out the Trailers:


The Impossible:

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Written by Clayton Davis

Clayton Davis is the esteemed Editor and Owner of Born in Bronx, NY to a Puerto Rican mother and Black father, he’s been criticizing film and television for over a decade. Clayton is a member of the Broadcast Film Critics Association where he votes and attends the kick off to the awards season, the Critics Choice Awards. He also founded the Latino Entertainment Journalists Association, the first Latino-based critics’ organization in the United States. He’s also an active member of the African-American Film Critics Association, New York Film Critics Online, International Press Academy, Black Reel Awards, and the Broadcast Television Journalists Association. Clayton has been quoted and appeared in various outlets that include The New York Times,, Variety, Deadline, Los Angeles Times, FOX 5, Bloomberg Television, AOL, Huffington Post, Bloomberg Radio, The Wrap, Slash Film, and the Hollywood Reporter.


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Thank you for this though I do not agree Ms. Watts is any surprise. Rather her being slighted, ignored and snubbed…time and again, and year after year by The Golden Globes is.


I suppose her time just begins. What performances will see by Naomi Watts in the upcoming years. It’s really her time for recongnition.


Unfairly robbed year after year, Naomi Watts is the real talent out there who should have won her Oscar for a long time since Mulholland Drive. This is her year again with a phenomenal performance in The Impossible but it seems again, the film critics are creaming over a young and still underperformed Jennifer Lawrence. I do wish Watts will take her long deserved award home this year. NW is the real lead and anchor of her film whereas JL’s role is only supportive with very short screentime, let alone IMO she is over-the-top.


I just saw “Arbitrage” yesterday and R. Geere looks good, but not Oscar-nomination worthy. This is just my opinion!



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