in ,

WATCH: First Trailer for the World War I Epic ‘1917’ from Oscar Winner Sam Mendes and Universal Pictures

1917 trailer

Reigning Best Picture studio champion Universal Pictures (“Green Book”) has released the new trailer for the epic war drama “1917” from Academy Award winner Sam Mendes (“American Beauty”).

The World War I epic takes place at the height of the devastating era.  Two young British soldiers Schofield (played by George McKay) and Blake (played by Dean-Charles Chapman) are given a seemingly impossible mission.  In a race against time, they must cross enemy territory and deliver a message that will stop a deadly attack on hundreds of soldiers, with Blake’s brother among them.

Alongside stars McKay and Chapman, the movie also stars Mark Strong, Andrew Scott, Richard Madden, Claire Duburcq, Oscar-winner Colin Firth, and Oscar-nominee Benedict Cumberbatch.

Directing, co-writing, and co-producing, Mendes, who has put his mark on spectacular cinema such as “Road to Perdition” and “Revolutionary Road,” is rumored to have put together his most exceptional achievement yet.  As reflected in this week’s updated awards predictions on the Circuit Hub, “1917” is currently listed in the top spot at the Oscars for Best Picture, Director, Cinematography (by Roger Deakins), and Original Score (by Thomas Newman).  The trio of Mendes, Deakins, and Newman marks their second outing together following the James Bond film “Skyfall.”  Deakins and Newman both received Oscar nominations for their work.  The only missing veteran craftsperson seems to be overdue sound mixer Greg P. Russell, who isn’t currently listed on the film’s credits via iMDB.  Deakins will also have his work showcased in John Crowley’s “The Goldfinch,” which is premiering at the Toronto International Film Festival in Sept. while Newman has already offered compositions earlier this year in “Tolkien” and “The Highwaymen.”

1917” is also co-written by Krysty Wilson-Cairns, best known for Showtime’s “Penny Dreadful.”  Also listed as producers are Pippa Harris (Executive Producer on “Away We Go”), Jayne-Ann Tenggren (who also is on “The Rhythm Section” from Reed Morano due out later in 2019), Callum McDougall (Executive Producer on “Mary Poppins Returns”), and Brian Oliver (who executive produced the summer hit “Rocketman” from Dexter Fletcher).

Universal Pictures will distribute the film in the United States, while Neal Street Productions, in association with New Republic Pictures, produces.  Universal and Amblin Partners will distribute internationally, with eOne distributing on behalf of Amblin in the United Kingdom.

“1917” opens in theaters on Dec. 25 in limited release before going wide on Jan. 10, 2020.

Are you excited for “1917?” Let us know in the comments below!


Circuit Hub v3 300x250 1

What do you think?

268 points
Upvote Downvote
Film Buff

Written by Clayton Davis

Clayton Davis is the esteemed Editor and Owner of Born in Bronx, NY to a Puerto Rican mother and Black father, he’s been criticizing film and television for over a decade. Clayton is a member of the Broadcast Film Critics Association where he votes and attends the kick off to the awards season, the Critics Choice Awards. He also founded the Latino Entertainment Journalists Association, the first Latino-based critics’ organization in the United States. He’s also an active member of the African-American Film Critics Association, New York Film Critics Online, International Press Academy, Black Reel Awards, and the Broadcast Television Journalists Association. Clayton has been quoted and appeared in various outlets that include The New York Times,, Variety, Deadline, Los Angeles Times, FOX 5, Bloomberg Television, AOL, Huffington Post, Bloomberg Radio, The Wrap, Slash Film, and the Hollywood Reporter.


Notify of

This site uses Akismet to reduce spam. Learn how your comment data is processed.

1 Comment
Inline Feedbacks
View all comments
Joey Magidson

Looks pretty enticing


share 1

TV Review: ‘Share’ Is a Disturbing Yet Vital Exposé On Teen Sexual Assault

DWP 308 Unit 00302R

TV Review: Season 3 of ‘Dear White People’ Still Serves Up Cultural Realness